Johnny Hawksworth's ' "Twopence Coloured (A)" was released on its scheduled release date, June 1, 1966. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Syd Dale, Johnny Hawksworth's "Kpm 1000 Series: Accent on Percussion" album is number 22 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Twopence Coloured (A)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Twopence Coloured (A) by Johnny Hawksworth to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Tomorrow People (The Original TV Music) | Dudley Simpson | A Minor | 4 | 8A | 96 BPM | ||
| Transit | Clive Hicks | G Major | 2 | 9B | 99 BPM | ||
| Exotica | Roger Webb | E Minor | 5 | 9A | 100 BPM | ||
| Old Cape Cod | Horatio Malvicino | F Minor | 5 | 4A | 87 BPM | ||
| Pink Fizz | Albert Marland | G Major | 5 | 9B | 78 BPM | ||
| Cutty Sark | John Barry | D Major | 7 | 10B | 128 BPM | ||
| Bossa al bar | Berto Pisano, Nini Rosso e il Suo Complesso | D Minor | 4 | 7A | 110 BPM | ||
| Music to Drive By | Alan Moorhouse | F Major | 7 | 7B | 130 BPM | ||
| We're on Top of the World | Bill Martin, Phil Coulter | C Major | 6 | 8B | 131 BPM | ||
| Voir Venise | Alain Goraguer | C Minor | 5 | 5A | 96 BPM | ||
| At Seventeen | Muzak Orchestra | C Major | 5 | 8B | 112 BPM | ||
| Clip Clop | Syd Dale | C Major | 4 | 8B | 136 BPM | ||
| The Professionals - Theme | Laurie Johnson | F Minor | 4 | 4A | 141 BPM | ||
| The Mystery of Yambuya | Don Ralke | A♭ Major | 3 | 4B | 75 BPM | ||
| Moog Waltz | Duncan Lamont | D♭ Major | 4 | 3B | 107 BPM | ||
| Rococo Rondo | Tadeusz Rozycki | F Major | 4 | 7B | 80 BPM | ||
| Time Off | James Clarke | E Minor | 3 | 9A | 147 BPM | ||
| Fifty-Five Park Lane | Johnny Hawksworth | F Major | 5 | 7B | 63 BPM | ||
| The Hell Raisers | Syd Dale | B♭ Minor | 9 | 3A | 153 BPM | ||
| Appointment Piccadilly | Johnny Hawksworth | E Major | 9 | 12B | 118 BPM | ||
| SHADO | Barry Gray | B♭ Major | 5 | 6B | 112 BPM | ||
| Rhythm N' Beat | Johnny Hawksworth | C Major | 6 | 8B | 172 BPM | ||
| Sidetrack | Brian Bennett | D Minor | 8 | 7A | 114 BPM | ||
| When Things Were Rotten | Muzak Orchestra | E Minor | 5 | 9A | 88 BPM | ||
| Up To Date | Johnny Hawksworth, De Wolfe Music | B♭ Major | 7 | 6B | 84 BPM |