Mark Chambers's 'Laid Back' had a release date set for 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "London Cuts Vol. 2" album is number 9 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Laid Back's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Laid Back by Mark Chambers to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| In Vain the Am'rous Flute | Henry Purcell, Ryland Angel, Mark Chambers, Laurence Cummings | B Minor | 1 | 10A | 182 BPM | ||
| O sonno | Cipriano de Rore, Sestina, Mark Chambers | D Minor | 1 | 7A | 173 BPM | ||
| I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
| Ich hatte viel Bekümmernis, BWV 21: Recitativo "Ach Jesu, meine Ruh" (Soprano, Bass) | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Maria Keohane, Mathias Vieweg | D Major | 1 | 10B | 77 BPM | ||
| Magnificat in G Minor, RV 610a: II. Et exultativ | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Carolina | Mark Chambers, Fede Onirik | E Minor | 7 | 9A | 125 BPM | ||
| Ballo detto 'Il Conde Orlando' | The Royal Wind Music | F♯ Major | 0 | 2B | 108 BPM | ||
| One Charming Night | Henry Purcell, Ryland Angel, Mark Chambers, Laurence Cummings | D Minor | 1 | 7A | 72 BPM | ||
| Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
| Lobe den Herren, den mächtigen König der Ehren, Bwv 137: Lobe den Herren, den machtigen Konig der Ehren (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 3 | 1B | 112 BPM | ||
| But Now It's Over | Al Henderson Septet, Alex Dean, Pat LaBarbera, Matt Brubeck, Mark Chambers, Richard Whiteman, Al Henderson, Barry Romberg | B♭ Major | 3 | 6B | 132 BPM | ||
| Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro con Choral | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Stephan MacLeod, Jan Kobow, Carlos Mena, Katharine Fuge | E♭ Major | 2 | 5B | 179 BPM | ||
| Bach, JS: Mass in G Minor, BWV 235: Cum Sancto Spiritu | Johann Sebastian Bach, Philippe Herreweghe/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent, Collegium Vocale Gent, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | F♯ Minor | 3 | 11A | 100 BPM | ||
| Christ lag in Todesbanden, BWV 4: VI. Versus 5. Hier ist das rechte Osterlamm | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances, Sebastian Myrus | E Minor | 2 | 9A | 178 BPM | ||
| Nun treten wir ins neue Jahr | Johann Michael Bach, Vox Luminis, Lionel Meunier | D Major | 1 | 10B | 117 BPM | ||
| Dixit Dominus secondo a8 SV 192 | Claudio Monteverdi, Sestina, Mark Chambers | D Minor | 1 | 7A | 72 BPM | ||
| Messiah, HWV 56: Part 3: I know that my Redeemer liveth (Air) | Nikolaus Harnoncourt | E♭ Major | 1 | 5B | 56 BPM | ||
| Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie | Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning | D Major | 1 | 10B | 82 BPM | ||
| Stabat Mater pour dix voix et basse continue: VII. Juxta crucem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 129 BPM | ||
| Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
| Du wahrer Gott und Davids Sohn, BWV 23: Chorale. Christe, du Lamm Gottes | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 84 BPM | ||
| Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 139 BPM | ||
| Byrd: Jhon Come Kisse Me Now | William Byrd, Andreas Staier | B Major | 4 | 1B | 78 BPM |