Rajendra Vaishampayan's ' "Adhay 03 Shlok 01 To Shlok 12" was released on its scheduled release date, February 3, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Adhay 03 Shlok 01 To Shlok 12 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 03 Shlok 01 To Shlok 12 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Radha Kripa Kataksh | Pooja Vyas | E♭ Major | 6 | 5B | 149 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Mruthyunjaya Maha Mantram | Bangalore Sisters, Ajey Warrior, Ramesh Chandra | E♭ Major | 2 | 5B | 132 BPM | ||
| Head | Rajendra Vaishampayan | F♯ Minor | 2 | 11A | 135 BPM | ||
| Hare Ram Hare Ram... Kirtan | Sant Shri Asharamji Bapu | B♭ Minor | 4 | 3A | 74 BPM | ||
| Saraswati Namastubhyam Varde Kaamrupini | Sumeet Tappoo | D♭ Major | 4 | 3B | 100 BPM | ||
| Durga Aarti | Tripti Shakya, Gopal Rai, Mohan Rathore | F Major | 6 | 7B | 101 BPM | ||
| Shuunyam | Grihsam | E♭ Minor | 1 | 2A | 124 BPM | ||
| Ugram Veeram Maha Vishnum | Sanatan Music | F♯ Major | 2 | 2B | 140 BPM | ||
| Kaal Bhairav Chalisa | Bhakti Sangrah | D♭ Major | 5 | 3B | 179 BPM | ||
| Ganpati Pooja | Rajendra Vaishampayan | D♭ Major | 6 | 3B | 133 BPM | ||
| Kanakadara Stothram | Srikanth Sharma | E Major | 3 | 12B | 78 BPM | ||
| Om Sri Banashankariye Namaha | Puttur Narasimha Nayak | A♭ Major | 1 | 4B | 105 BPM | ||
| Evening Kirtan Bliss | Mayapuris, MayapurTV Music | B♭ Minor | 9 | 3A | 77 BPM | ||
| Lakshmi Narasimha Ashtakam | Shankara Sastry | A Major | 3 | 11B | 169 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Om Shree Guruve Namah - Jaap | Rajendra Jain | A♭ Major | 2 | 4B | 77 BPM | ||
| Vishnu Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| Vishnu Suktham | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Adhyayam, Pt. 10 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 85 BPM | ||
| Mandra Pushpam | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Sri Ramaraksha Stotram | Vidyabhushana | C Major | 4 | 8B | 115 BPM | ||
| Panchanga Rudranyasaha | Venkataramana Bhat, Shivashankara Bhat, Venkatesh Shastri | B Major | 3 | 1B | 65 BPM | ||
| Ganesha Dhyanam | S.Rajeshwari | C Major | 4 | 8B | 141 BPM | ||
| Shree Swami Samartha Jai Jai Swami Samartha (Male Version) (Male Version) | Shreedar Phadke | D Major | 6 | 10B | 113 BPM |