"Chapter 212 - The Arthur Miller Collection" by Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill had its release date on August 15, 2011. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 359 in the song's album "The Arthur Miller Collection". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. Chapter 212 - The Arthur Miller Collection is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 212 - The Arthur Miller Collection by Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Farmer and the Queen | Shel Silverstein | E Major | 4 | 12B | 86 BPM | ||
| I'm Riding On A Razor | Sean William, Gordon C. Gauthier | C Major | 3 | 8B | 79 BPM | ||
| My Boy Jack | Rudyard Kipling, Ralph Fiennes | C Major | 1 | 8B | 113 BPM | ||
| Seeing What People Really Are | Spiritual Unfoldment with John Butler | E Major | 2 | 12B | 123 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Prussians | Childrens Corner | A♭ Major | 0 | 4B | 93 BPM | ||
| Awakening Your Power | Eckhart Tolle | D Major | 2 | 10B | 110 BPM | ||
| The Shield of Achilles | W. H. Auden | A Major | 2 | 11B | 131 BPM | ||
| Squint | Pepelicious | F Minor | 0 | 4A | 134 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| Violin | Capt. Good Shot, Charles Summers | A Major | 6 | 11B | 140 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Scars & Stars | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Track 45 | Mega Snow | A♭ Major | 6 | 4B | 96 BPM | ||
| 3 Real Scary Sleepover Horror Stories, Vol. 2 - Part 4 | Mr. Nightmare | D♭ Major | 3 | 3B | 119 BPM | ||
| Slaughterhouse 5, Pt. 4 | Kurt Vonnegut | B♭ Major | 1 | 6B | 120 BPM | ||
| Off Me | Label voice | B Minor | 4 | 10A | 75 BPM | ||
| Start Your Day With Presence | Eckhart Tolle | D Major | 2 | 10B | 110 BPM | ||
| How Interested Are We | Phone Losers of America | D♭ Major | 10 | 3B | 134 BPM | ||
| The Extasie | Richard Burton | A Minor | 2 | 8A | 109 BPM | ||
| Where We Are Going | Matthew Rix | D♭ Major | 3 | 3B | 169 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| Alice in Wonderland, Pt. 18 | Fairy Tales for Kids, Kids, Fairy Tales | F Major | 0 | 7B | 126 BPM | ||
| Knows It | Mezuhuda | B Major | 1 | 1B | 67 BPM | ||
| The Ghost's Leavetaking | Sylvia Plath | D♭ Major | 0 | 3B | 73 BPM |