Jean-Baptiste Lully, 篠﨑功子, 長与咲子's '新しいバイオリン教本 2: 58 ガボット' had a release date set for March 25, 1995. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 新しいバイオリン教本 2: 58 ガボット's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 新しいバイオリン教本 2 [音楽之友社楽譜準拠] -監修: 長谷川武久-, so we believe that "新しいバイオリン教本 2: 58 ガボット" is a single. In terms of popularity, 新しいバイオリン教本 2: 58 ガボット is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 新しいバイオリン教本 2: 58 ガボット by Jean-Baptiste Lully, 篠﨑功子, 長与咲子 is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Les Indes Galantes - Air des Incas pour la dévotion du Soleil | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 0 | 2B | 112 BPM | ||
| Vivaldi: Concerto for Two Violins and Two Cellos in D Major, RV 564: II. Largo | Antonio Vivaldi, Europa Galante, Fabio Biondi, Antonio Fantinuoli, Maurizio Naddeo, Raffaello Negri | F♯ Major | 2 | 2B | 124 BPM | ||
| Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Andrew Parrott, Taverner Players | D♭ Minor | 1 | 12A | 101 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| String Sextet in F Minor, TWV 44:32: III. Largo | Georg Philipp Telemann, Capriccio Basel Baroque Orchestra | B Minor | 1 | 10A | 76 BPM | ||
| Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
| Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
| Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
| Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
| "Marche de triomphe et Second air de trompette" in D Major: I. Marche de triomphe | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 6 | 3B | 87 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): I. Miserere mei Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Major | 2 | 10B | 105 BPM | ||
| La Bocanne compliquée | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 107 BPM | ||
| Concerto À 4 Parties In A Minor: 1. Allegro | Michel Blavet, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | A♭ Minor | 2 | 1A | 108 BPM | ||
| Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Armide Opera In 5 Acts With Prologue: Plus j'observe ces lieux | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 85 BPM | ||
| King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
| Marches pour les trompettes H. 547 - Marches pour les trompettes I | Marc-Antoine Charpentier, Le Concert Spirituel, Hervé Niquet | C Major | 4 | 8B | 99 BPM | ||
| Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
| Monteverdi: L'Orfeo, SV 318, Prologue: Toccata | Claudio Monteverdi, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Major | 3 | 5B | 133 BPM | ||
| Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Concerto for Violin And Strings in E Minor, RV 281: I. Allegro | Antonio Vivaldi, Giuliano Carmignola, Accademia Bizantina, Ottavio Dantone | C Minor | 0 | 5A | 88 BPM |