Traditional, Richard Hayman, Richard Hayman Symphony Orchestra's ' "When the Saints Go Marching In (arr. R. Hayman)" was released on its scheduled release date, July 27, 1990. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Famous Marches by Richard Hayman. The song's track number on the album is #3 out of 17 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, When the Saints Go Marching In (arr. R. Hayman) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since When the Saints Go Marching In (arr. R. Hayman) by Traditional, Richard Hayman, Richard Hayman Symphony Orchestra has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With When the Saints Go Marching In (arr. R. Hayman) being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Christ the Lord is Born Today, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 2 | 9B | 81 BPM | ||
| 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
| Mary Trusted God | LoosMusic, Michaela Shelton | G Minor | 3 | 6A | 172 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| The Earth Lay White | Tim Story | A Major | 1 | 11B | 74 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | F Major | 0 | 7B | 67 BPM | ||
| December Magic - No Sleighbells | Julia Thomsen | A Minor | 3 | 8A | 93 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| Mystic Reflections for Healing | Wonderworker, The Choir of Eparchy of Tripoli | A Minor | 4 | 8A | 106 BPM | ||
| Qui regarde vers Lui | Chorale Cantate Ei | E♭ Minor | 1 | 2A | 86 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Baba pa lase lati orun wa | Celestial Symphony Orchestra | D Major | 3 | 10B | 85 BPM | ||
| Heavenly Verses for Sacred Moments | Wonderworker, The Choir of Eparchy of Tripoli | D Minor | 1 | 7A | 73 BPM | ||
| God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
| Traditional: Ad Completorium: Hymnus "Te lucis ante terminum" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 0 | 2B | 144 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Dormi, dormi, bel bambin | Franziska Gohl, Schweizer Jugendchor | F Major | 0 | 7B | 95 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM |