James Griffith, Mark Matthews's ' "The Touch" was released on its scheduled release date, July 29, 1997. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Touch's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Reel Time". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Touch's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Touch by James Griffith, Mark Matthews having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| World Cup Shuffle | Phil Beazley, Phillip Rigger | B Minor | 10 | 10A | 160 BPM | ||
| Logo-Bakersfield - Full-Length Version | Harold Faltermeyer | E Major | 4 | 12B | 129 BPM | ||
| Round Two | Paul Hertzog | A Major | 4 | 11B | 117 BPM | ||
| Rock Machine | James Griffith, Mark Matthews, Marcus L Matthews, Kathryn Matthews | G Major | 3 | 9B | 107 BPM | ||
| Soldiers of Honor | Gregor F. Narholz, Sonoton Film Orchestra | D Minor | 4 | 7A | 73 BPM | ||
| Soopah Funk | Mark Matthews, James Griffith | D Minor | 9 | 7A | 135 BPM | ||
| ザ・グレート・カブキのテーマ(ヤンキー・ステーション) | The Great Kabuki | B Minor | 5 | 10A | 159 BPM | ||
| Fate of Cybertron | Vince DiCola, Kenny Meriedeth, Transformers | C Major | 4 | 8B | 137 BPM | ||
| 009 Gets The Knife And Gorbinda Attacks | John Barry | E♭ Minor | 4 | 2A | 106 BPM | ||
| Roundball Rock - Live | John Tesh | A Minor | 9 | 8A | 165 BPM | ||
| Bringing the World to You | Breaking News | C Major | 6 | 8B | 136 BPM | ||
| Ζ-GUNDAM | Shigeaki Saegusa | G Major | 1 | 9B | 56 BPM | ||
| Goldeneye 64 - Control Center | 20 - Bit Dream | A♭ Major | 7 | 4B | 122 BPM | ||
| EDF Headquarters Fight | Keith Emerson | C Major | 10 | 8B | 133 BPM | ||
| Battle Alert - Snakes in the Dirt! | Rob Walsh, Johnny Douglas, Anne Bryant, Rob Walsh, Johnny Douglas, Anne Bryant | D Minor | 4 | 7A | 139 BPM | ||
| Lubricator | Frank McDonald, Chris Rae, De Wolfe Music | A Major | 7 | 11B | 154 BPM | ||
| War | Vince DiCola, Diego Navarro | A Major | 9 | 11B | 99 BPM | ||
| Attack Attack | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| Twilight Zone - Instrumental early mix 2-82 | Golden Earring | B Minor | 5 | 10A | 119 BPM | ||
| Roadhog | Trevor Bastow | E Minor | 8 | 9A | 126 BPM | ||
| Wide Horizon / Ice Floe | Pierre Arvay | C Major | 2 | 8B | 92 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| Roundball Rock | John Tesh | C Major | 9 | 8B | 156 BPM | ||
| New York at Night Drive | Allister Brimble | C Minor | 6 | 5A | 113 BPM | ||
| University of Oregon, School’s Out | EA SPORTS College Football Marching Band | A Major | 9 | 11B | 132 BPM |