"Odyssey - Bonus Track" by Rival Consoles had its release date on June 10, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rival Consoles's "MindsEye" album is number 12 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Odyssey - Bonus Track is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Odyssey - Bonus Track by Rival Consoles to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Generations | Mano Le Tough | A♭ Minor | 7 | 1A | 113 BPM | ||
| TIMESINK | Lorn | D♭ Major | 7 | 3B | 134 BPM | ||
| Béton-Brut | The Black Dog | B♭ Minor | 4 | 3A | 116 BPM | ||
| Winding and Unwinding | Ben Lukas Boysen, Sebastian Plano | C Minor | 4 | 5A | 69 BPM | ||
| Falaise | Floating Points | B Minor | 4 | 10A | 143 BPM | ||
| Lambent Rag | Clark | D♭ Major | 3 | 3B | 184 BPM | ||
| The Most | Weval | D Major | 7 | 10B | 112 BPM | ||
| Jenova | Ital Tek | D♭ Major | 4 | 3B | 170 BPM | ||
| Says | Nils Frahm | C Minor | 2 | 5A | 150 BPM | ||
| Muriatic | Polynation | F♯ Minor | 7 | 11A | 108 BPM | ||
| Intakes - Pye Corner Audio Rework | Craven Faults, Pye Corner Audio | A♭ Major | 4 | 4B | 105 BPM | ||
| SOTRS | Caterina Barbieri | E Major | 3 | 12B | 159 BPM | ||
| Open Field | Kiln | A♭ Minor | 5 | 1A | 115 BPM | ||
| Be Good | HAAi | C Major | 5 | 8B | 101 BPM | ||
| Deipkier | Craven Faults | D Major | 3 | 10B | 160 BPM | ||
| Blackpool Late Eighties | James Holden | G Major | 4 | 9B | 113 BPM | ||
| Escape - Hania Rani Remix | Skalpel, Hania Rani | G Minor | 4 | 6A | 117 BPM | ||
| Opening | Superpoze | D Minor | 6 | 7A | 127 BPM | ||
| Eventually | Rival Consoles | G Major | 0 | 9B | 146 BPM | ||
| The Passenger | Dark Sky | A Minor | 9 | 8A | 131 BPM | ||
| Envelopes (Chapter VI) - Edit | Leon Vynehall | A♭ Major | 3 | 4B | 71 BPM | ||
| Circle 19 - Midori Hirano Rework | Robot Koch, Foam and Sand, Midori Hirano | B♭ Minor | 3 | 3A | 100 BPM | ||
| Tuur mang Welten | Niklas Paschburg | D♭ Minor | 3 | 12A | 180 BPM | ||
| Blue Clouds | Modeselektor | D Minor | 7 | 7A | 156 BPM | ||
| Rest | Rival Consoles | B Minor | 4 | 10A | 108 BPM |