"Twin Souls" by Hyperduck Soundworks had its release date on October 11, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 37 in Dust: An Elysian Tail by Hyperduck Soundworks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Twin Souls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twin Souls by Hyperduck Soundworks is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Second Confluence | Austin Wintory | B Minor | 1 | 10A | 143 BPM | ||
| Ghosts of the Past | David Housden | E♭ Major | 4 | 5B | 120 BPM | ||
| Heavenly Clouds | Damjan Mravunac | C Major | 1 | 8B | 136 BPM | ||
| Stolen Dreams, Lost Light | Yasunori Nishiki | G Major | 0 | 9B | 74 BPM | ||
| Downside Ballad | Darren Korb | A Minor | 5 | 8A | 148 BPM | ||
| Wake Up | Sam Hulick | G Minor | 1 | 6A | 80 BPM | ||
| Apotheosis | Austin Wintory | B Minor | 3 | 10A | 168 BPM | ||
| Traversing the Aurora Isles | Harry Mack | D Minor | 6 | 7A | 90 BPM | ||
| Azalea | Sinesita | D Minor | 2 | 7A | 120 BPM | ||
| United We Stand | David Housden | C Major | 4 | 8B | 120 BPM | ||
| Dearly Beloved I | Project Destati | F Major | 2 | 7B | 128 BPM | ||
| Crystal Exploration 2 | Curtis Schweitzer | A Minor | 1 | 8A | 100 BPM | ||
| Wave Cycles | Josh Whelchel, Hyperduck Soundworks | D Major | 6 | 10B | 146 BPM | ||
| The Lookout Observatory | Jim Guthrie | B♭ Minor | 3 | 3A | 93 BPM | ||
| Final Confluence | Austin Wintory | E Minor | 1 | 9A | 73 BPM | ||
| Tranquility Base | Curtis Schweitzer | D♭ Minor | 1 | 12A | 100 BPM | ||
| Between the Waves | Cameron Paxton | F Major | 6 | 7B | 56 BPM | ||
| Lucidate (Library) | Mudeth | C Minor | 1 | 5A | 110 BPM | ||
| Restless Reach | Phoenix Glendinning | E♭ Major | 2 | 5B | 66 BPM | ||
| End of the World | Project Destati | D Minor | 1 | 7A | 73 BPM | ||
| Achenar's Theme – Mechanical Age | Robyn Miller | C Minor | 2 | 5A | 120 BPM | ||
| Aligning the Sky | David García Díaz | A Minor | 1 | 8A | 83 BPM | ||
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| Axial Tilt Zero | Arnaud Roy | A♭ Major | 3 | 4B | 120 BPM | ||
| Clocktowers Beneath the Sea | Pascal Michael Stiefel | D Major | 5 | 10B | 116 BPM |