Kailash Rao's ' "Darshan Ki Man Me" was released on its scheduled release date, June 9, 2009. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Kailash Rao's "Khol Aado Khol" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Darshan Ki Man Me's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Darshan Ki Man Me by Kailash Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chilam Me Ganja Mare Dhuk Dhuk Darevara | Aashish Yadav, Shweta Sargam, Pappu Bhai | E♭ Minor | 10 | 2A | 83 BPM | ||
| Handsame Ki Mohabbat | Aslam Singer Deadwal | A Major | 8 | 11B | 144 BPM | ||
| Din Chhip Go Jan De | Aasif Sayar Mewati | F♯ Minor | 10 | 11A | 130 BPM | ||
| Jharoke Betho Bando | Beejal Khan | B Major | 9 | 1B | 100 BPM | ||
| Jaab Mene Phone Lagayo Toku Tero Aaro Waiting Phone | Mahender Kumar, Sandhya Chaudhary | D Minor | 5 | 7A | 90 BPM | ||
| Mera Latoo | Bahadur Bhardwaj | D♭ Major | 10 | 3B | 136 BPM | ||
| Mohin Singer SR 008383 | Aasif Sayar Mewati, Star Irfan Pahat | G Major | 9 | 9B | 87 BPM | ||
| Punmal Bhadke Re Loksangeet | Bijal Khan | E♭ Major | 9 | 5B | 78 BPM | ||
| Meera Ki Maa | Prakash Gandhi, Pushpa Sankhla | F♯ Major | 9 | 2B | 116 BPM | ||
| Birosa Badle Hind Mandave | Sayar Khan Dangri | C Major | 10 | 8B | 144 BPM | ||
| Ruk Ruk Chale Kam Maro Sanwariya Re | Ratan Rao | B Minor | 9 | 10A | 115 BPM | ||
| Chhora Tota Banke | Lokesh Kumar | G Minor | 9 | 6A | 141 BPM | ||
| Baisa Ladla Ghana | Jalal Khan | F♯ Major | 9 | 2B | 80 BPM | ||
| Mahri Jodi Ro Sadhu Nahi MIliyo Mari Heli | Anita Jangid | D Major | 7 | 10B | 81 BPM | ||
| Shiv Charcha Sohar | Panchvati Kumari | B Major | 8 | 1B | 108 BPM | ||
| नैन आपरा बन्ना काजल काजल मैं दिल मेरा | Jalal Khan | G Major | 8 | 9B | 200 BPM | ||
| Hari Gun Gayle Re Manva | Shyam Paliwal | B♭ Major | 8 | 6B | 85 BPM | ||
| Mami Ra Nanda | Indra Dhavsi | C Major | 10 | 8B | 109 BPM | ||
| Billi Dil Legi | Waseem Akram | A♭ Minor | 10 | 1A | 146 BPM | ||
| Mitho Bole Re Papaiyo | Balli Mohanwadi, Pooja Dotasara | D Major | 7 | 10B | 80 BPM | ||
| Dekh Gopi Hasi Kaise Banau Murli Naachi Kaise Re | Shastri Neelam Yadav | B♭ Minor | 10 | 3A | 115 BPM | ||
| Aavo Runicha Raja Navkhand Vaje Vaja | Manish Parihar | F♯ Minor | 7 | 11A | 100 BPM | ||
| श्री देवनारायण भगवान जन्मपत्री भाग - 2 | Badri Lal Gadri | B Major | 9 | 1B | 115 BPM | ||
| Kaise Fand Kare Injan Ki Bimari | Ramdhan Gurjar, Pushpa Gosai | F Minor | 8 | 4A | 137 BPM | ||
| Nagana Rai | Jalal Khan | A Major | 9 | 11B | 123 BPM |