Susana Rinaldi's 'Milonga Para Santiago' had a release date set for May 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in En El Underground by Susana Rinaldi. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Milonga Para Santiago is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Milonga Para Santiago by Susana Rinaldi is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Y Todavía Te Quiero (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | A Minor | 5 | 8A | 130 BPM | ||
| Tinta Roja | Susana Rinaldi | D Major | 3 | 10B | 115 BPM | ||
| Último Café en Corrientes | JEIRI SONJ | A Minor | 4 | 8A | 118 BPM | ||
| Por una cabeza | Jorge Valdez | A Minor | 4 | 8A | 118 BPM | ||
| Naranjo en Flor | Susana Rinaldi, Leopoldo Federico | A Major | 1 | 11B | 144 BPM | ||
| Arrabal Amargo | Mariana Quinteros, Anibal Berraute | A Minor | 4 | 8A | 102 BPM | ||
| Garúa | Malena Muyala | A Minor | 0 | 8A | 94 BPM | ||
| Qué Te Importa Que Te Llore | Soledad Villamil | G Major | 4 | 9B | 90 BPM | ||
| Nada | Amores Tangos, Julia Zenko | F Major | 3 | 7B | 87 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| Niebla del Riachuelo | Horacio Molina | F Major | 4 | 7B | 113 BPM | ||
| Cuerdas del Destino | TITANES RM | A Minor | 4 | 8A | 118 BPM | ||
| Vida Mia | Adriana Varela | F Major | 3 | 7B | 152 BPM | ||
| El Corazón al Sur | Ines Cuello, Ramon Maschio | D Minor | 3 | 7A | 63 BPM | ||
| Balada para Mi Muerte | Astor Piazzolla, Amelita Baltar | C Minor | 3 | 5A | 174 BPM | ||
| Tema de Pototo (Para Saber Como Es la Soledad) | Spinettango | E Major | 4 | 12B | 99 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| La Tempranera | Ginamaría Hidalgo | F Minor | 2 | 4A | 132 BPM | ||
| Mano a Mano | Lidia Borda | D Minor | 5 | 7A | 107 BPM | ||
| Convencernos | Raúl Lavié, Chico Novarro | G Major | 8 | 9B | 123 BPM | ||
| Siempre Se Vuelve a Buenos Aires | Elena Roger | G Major | 5 | 9B | 111 BPM | ||
| Cabaret | Adriana Varela | C Major | 2 | 8B | 125 BPM | ||
| Muñeca Brava | Malena Muyala | A Major | 1 | 11B | 118 BPM | ||
| Nada | Maria Graña, Valeria Lynch | A♭ Major | 2 | 4B | 63 BPM | ||
| Farolito Viejo | Héctor Varela y su Orquesta Típica, Armando Laborde | C Major | 2 | 8B | 117 BPM |