Maria Friedman's 'Introduction 8' had a release date set for September 14, 1999. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Introduction 8's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Sondheim Tonight (Live From The Barbican Centre London)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Introduction 8 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Introduction 8 by Maria Friedman having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brown Eyes | Ocean Bridge | A♭ Major | 3 | 4B | 148 BPM | ||
| A Part of That | Sherie Rene Scott | F Minor | 3 | 4A | 142 BPM | ||
| Moonfall Quartet | The Mystery of Edwin Drood - The 2013 New Broadway Cast | G Minor | 5 | 6A | 82 BPM | ||
| Flying Away (Finale) | Beth Malone, Emily Skeggs, Sydney Lucas | A Major | 2 | 11B | 141 BPM | ||
| Reckless Blues | Maria Friedman | G Major | 2 | 9B | 170 BPM | ||
| Who Cares? / For You, For Me, For Evermore | Jill Paice, Leanne Cope, Brandon Uranowitz, Max Von Essen, Robert Fairchild | D Major | 3 | 10B | 171 BPM | ||
| Look At Me | Maria Friedman, Joanna Riding, Lucie Arnaz | D♭ Major | 2 | 3B | 81 BPM | ||
| The Joy of Motherhood | Honk! Original Demo Cast | B♭ Major | 2 | 6B | 62 BPM | ||
| She's Too Far Above Me - Live | Charlie Stemp | B Minor | 5 | 10A | 130 BPM | ||
| If I Were the King of the Forest - Complete Tracks with Guide Vocals | Stage Stars | E♭ Major | 4 | 5B | 150 BPM | ||
| There's A Chance | Shoshana Bean | A♭ Major | 6 | 4B | 90 BPM | ||
| A New Life | Lucy | E Major | 2 | 12B | 94 BPM | ||
| I Can Do Better Than That | Sherie Rene Scott | A Major | 3 | 11B | 73 BPM | ||
| The Voice Across the Moors | Stephen Buntrock, Marla Schaffel, James Barbour | D♭ Major | 3 | 3B | 90 BPM | ||
| Goodbye, Little Dream, Goodbye | Laura Osnes | F Major | 1 | 7B | 92 BPM | ||
| Finale (Passion) | Original Broadway Cast Of 'Passion' | F♯ Minor | 1 | 11A | 46 BPM | ||
| The Wedding | Joanna Riding, Earl Carpenter, Ian Mcshane, The "Witches of Eastwick" Ensemble | F Major | 4 | 7B | 129 BPM | ||
| Barcelona | Rosalie Craig, Richard Fleeshman | D♭ Major | 0 | 3B | 96 BPM | ||
| The Life of the Party | Idina Menzel | A Major | 5 | 11B | 129 BPM | ||
| Minuet in G (Curtain) | Jefferson Mayes, The Music Man 2022 Company | E Minor | 7 | 9A | 207 BPM | ||
| Man | John Ellison Conlee, Patrick Wilson | A Major | 5 | 11B | 141 BPM | ||
| Perfectly Marvellous | Gregg Edelman, Maria Friedman | E Major | 1 | 12B | 106 BPM | ||
| Why? 'Cause I'm A Guy | Jimmy Roberts, Joe DiPietro | F♯ Major | 4 | 2B | 114 BPM | ||
| Love Can't Happen | Brent Barrett | D♭ Major | 4 | 3B | 80 BPM | ||
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM |