Rajkishan Agwanpuriya's ' "Sahum Karo So Fikar" was released on its scheduled release date, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Kissa Krishan Sudama, Vol. 1" album is number 1 out of 7. On top of that, France appears to be the country where this track was created. In terms of popularity, Sahum Karo So Fikar is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sahum Karo So Fikar by Rajkishan Agwanpuriya to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 10 Heer Aaj Maine Tu | Dayanad | G Minor | 9 | 6A | 77 BPM | ||
| Bhini Rainariye Chamkan Taare | Bhai Ranjit Singh Dhadrianwale | F Minor | 6 | 4A | 78 BPM | ||
| Govinda Sai Krishna Govinda Govinda | Sri Sathya Sai Bhajans | E♭ Minor | 8 | 2A | 76 BPM | ||
| Moti Moti Aankh Katili | Rajendra Kharkiya, Madhu Sharma | G Major | 4 | 9B | 132 BPM | ||
| Aajao Sajna | Khesari Lal Yadav | F Minor | 9 | 4A | 81 BPM | ||
| Chel Bhabaro Kangsiya | Kheta Khan | D Minor | 5 | 7A | 116 BPM | ||
| Kachhu Hojawe | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | D♭ Minor | 7 | 12A | 78 BPM | ||
| Januaa Jali Sasural | Golu Raja | F♯ Major | 6 | 2B | 116 BPM | ||
| Fouji Tere Nakhrya Ne Khali | Bali Sharma | B♭ Minor | 9 | 3A | 79 BPM | ||
| Lac Barash Tak Manas | Master Satbir | F♯ Minor | 4 | 11A | 80 BPM | ||
| Maina Dur Dur Tak Fir Ke Dekh | Rajender Singh Kharkiya, Madhu Sharma | G Major | 5 | 9B | 120 BPM | ||
| Teen Vachan Pehla Le Rakhe | Rajkishan Agwanpuriya | F♯ Major | 6 | 2B | 115 BPM | ||
| AVADH ME ANAND BHAYO.. | Morari Bapu | A♭ Major | 6 | 4B | 138 BPM | ||
| Umar Purani | Master Satbeer Singh | E♭ Minor | 5 | 2A | 125 BPM | ||
| Nimbuda-Nimbuda | Langas, Manganiars | F♯ Major | 5 | 2B | 93 BPM | ||
| Beti Zulm Kamawea Na | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | B Major | 5 | 1B | 80 BPM | ||
| Bidai Geet | Yuvraj Pandey | E♭ Major | 5 | 5B | 136 BPM | ||
| Lalee | Ghewar Khan, Dare Khan, Rafik Khan | F♯ Major | 7 | 2B | 127 BPM | ||
| Banna Baitho To Kursi Aapri | Khanak | G Major | 7 | 9B | 136 BPM | ||
| SHIRPUR NAGRILE JAU DYA | Kalyani Choudhary | D♭ Major | 9 | 3B | 160 BPM | ||
| Jis Din Bhula Du Tera Pyar Dil Se | Jaysingh Raja, Ramdevi Sargam | F♯ Major | 7 | 2B | 159 BPM | ||
| Tera Bhawan Bhi Chhota Pad Gaya | Narendra Kaushik | F♯ Major | 9 | 2B | 83 BPM | ||
| Hoiyo Umar Hazaar Ho Devar | Rajkishan Agwanpuriya, Neelam Chaudhary | A Minor | 5 | 8A | 118 BPM | ||
| Dariya Ke Kinare Pani | Rajkishan Agwanpuriya | E Minor | 7 | 9A | 109 BPM | ||
| Kaahe Bhool Gayli Tu | Raj Singh | F♯ Major | 10 | 2B | 140 BPM |