Catherine Russell's 'When Lights Are Low' had a release date set for September 9, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Catherine Russell's "Harlem On My Mind (Bonus Track Version)" album is number 10 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, When Lights Are Low is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of When Lights Are Low by Catherine Russell to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walk Between the Raindrops | Suss von Ahn | F Minor | 4 | 4A | 136 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| I Wanna Be Loved | Naama | G Major | 2 | 9B | 117 BPM | ||
| Moonglow | Abigail Flowers | F Minor | 3 | 4A | 121 BPM | ||
| Have You Met Miss Jones | Joe Williams | A♭ Major | 1 | 4B | 144 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| I'm Old Fashioned | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | D♭ Major | 2 | 3B | 125 BPM | ||
| You're The First, The Last, My Everything | Peter Grant | B Major | 3 | 1B | 120 BPM | ||
| Why Don't You Do Right | NYC Jazz Quartett | E♭ Minor | 3 | 2A | 79 BPM | ||
| 12th Avenue | Caity Gyorgy | C Minor | 1 | 5A | 124 BPM | ||
| You'd Be so Nice to Come Home To | Nicole Henry | F♯ Major | 6 | 2B | 95 BPM | ||
| Everybody Mess Around | Colin Hancock’s Jazz Hounds | A Major | 5 | 11B | 189 BPM | ||
| Webster | Eva sur Seine | E♭ Major | 4 | 5B | 202 BPM | ||
| My Romance | Lara Louise | F♯ Major | 2 | 2B | 98 BPM | ||
| Stompin' at the Savoy | Eva sur Seine | F Minor | 2 | 4A | 121 BPM | ||
| It Ain't Necessarily So (feat. Byron Stripling) | Nicki Parrott, Byron Stripling | F Minor | 4 | 4A | 109 BPM | ||
| My True Love Is You | Sarah McKenzie | G Minor | 0 | 6A | 170 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| You'd Be So Nice To Come Home To | Lara Louise | B♭ Minor | 4 | 3A | 103 BPM | ||
| Sometimes I'm Happy | Carol Welsman | C Major | 3 | 8B | 122 BPM | ||
| Never, Never, Never | Freddy Cole | C Major | 1 | 8B | 62 BPM | ||
| I’m falling for you - 1940s Jazz | Jazz Street | A♭ Major | 3 | 4B | 202 BPM | ||
| See See Rider | Ernestine Anderson | F Major | 4 | 7B | 132 BPM | ||
| Young & Naïve | Heather Rigdon | F♯ Minor | 2 | 11A | 108 BPM | ||
| The Blues Are Out of Town | Laverne Butler | G Major | 4 | 9B | 135 BPM |