Wayne Murray, Andrew Britton's ' "Face The Enemy" was released on its scheduled release date, December 11, 2020. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Face The Enemy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wayne Murray, Andrew Britton's "Heavyweight Riffs" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Face The Enemy's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Face The Enemy by Wayne Murray, Andrew Britton to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hurts to Be Alive | Whitmer Thomas | A Major | 7 | 11B | 110 BPM | ||
| I Can See Clearly Now | Isabella Summers, Elise McQueen | A Major | 6 | 11B | 176 BPM | ||
| All That's Left | Ingrid Witt | C Major | 5 | 8B | 125 BPM | ||
| On The Ropes | Wayne Murray, Andrew Britton | D Major | 8 | 10B | 94 BPM | ||
| Satisfaction | LABRYS | A Major | 8 | 11B | 144 BPM | ||
| Were You Surprised (Omg!) | Royal Cinema | F♯ Minor | 9 | 11A | 132 BPM | ||
| Heidi | Fireflies | G Major | 9 | 9B | 162 BPM | ||
| You Got Me to Yourself | Elmore King, Wayne Murray | A Major | 9 | 11B | 121 BPM | ||
| The Maiden Heist | 9Pockets | E Minor | 4 | 9A | 135 BPM | ||
| Killer Scene | Pale Honey | E Major | 7 | 12B | 142 BPM | ||
| When a Woman Is Around | Unloved | E♭ Major | 7 | 5B | 126 BPM | ||
| WE WERE JUST HERE | Just Mustard | F♯ Minor | 7 | 11A | 116 BPM | ||
| Phoenix Flower | Wayne Murray, Timothy Larcombe | A Major | 4 | 11B | 150 BPM | ||
| Waiting All My Life | Wayne Murray, Timothy Fleet | G Major | 6 | 9B | 127 BPM | ||
| Did I Make You Wait | Staffan Carlén | C Major | 8 | 8B | 120 BPM | ||
| Teen Dream | The Home Of Happy, Wayne Murray, James Corbin | E Major | 9 | 12B | 116 BPM | ||
| Will It Ever Be the Same | Young Summer | F Major | 7 | 7B | 119 BPM | ||
| DIE A MILLION TIMES | IAN SWEET | C Major | 6 | 8B | 128 BPM | ||
| Missing Out | Martin Hall | A Major | 7 | 11B | 117 BPM | ||
| She's My Witch - VDCR Remix | Fireflies, VDCR | E Major | 6 | 12B | 93 BPM | ||
| Are You Listening | Wayne Murray, Timothy Fleet | A Major | 7 | 11B | 129 BPM | ||
| Kingpin Hustler | Andrew Britton, Wayne Murray | D Major | 9 | 10B | 145 BPM | ||
| Milestone 2 (Skux Life) | Moniker | C Minor | 8 | 5A | 152 BPM | ||
| Twisted Avenues | Motion Pictures | D♭ Minor | 4 | 12A | 137 BPM | ||
| Common Denominator | Nisa | B♭ Major | 7 | 6B | 120 BPM |