Underoath's 'We’re All Gonna Die' had a release date set for January 14, 2022. We’re All Gonna Die is considered explicit and may contain foul language. This song is about 3 minutes and 19 seconds, which is about the average length of a typical song. This song is part of Voyeurist by Underoath. The song's track number on the album is #8 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of We’re All Gonna Die is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since We’re All Gonna Die by Underoath has a tempo of 178 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With We’re All Gonna Die being at 178 BPM, the half-time would be 89 BPM with a double-time of 356 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Whip | Every Time I Die | B♭ Major | 10 | 6B | 107 BPM | ||
| Hereditary | Mirrors | A Minor | 10 | 8A | 130 BPM | ||
| Heartache | Norma Jean | F Major | 7 | 7B | 109 BPM | ||
| Constant Dread | Hawthorne Heights, Brendan Murphy, Counterparts | A♭ Major | 9 | 4B | 170 BPM | ||
| Take Your Love and Leave | Noija | D♭ Major | 9 | 3B | 131 BPM | ||
| The Cradle | headcave | D♭ Minor | 10 | 12A | 95 BPM | ||
| In a Room Where Everything Dies | Greyhaven | F♯ Major | 10 | 2B | 152 BPM | ||
| In Regards To Myself | Underoath | B♭ Major | 10 | 6B | 160 BPM | ||
| Alive, as a Housefire | Silent Planet | B Minor | 9 | 10A | 128 BPM | ||
| Susi | Atlas | F♯ Minor | 9 | 11A | 105 BPM | ||
| Hidden Worship | Eidola | A Minor | 9 | 8A | 174 BPM | ||
| Hindsight | InVisions | D♭ Major | 10 | 3B | 115 BPM | ||
| Redefined - re-interpretation | As I Lay Dying | A♭ Major | 9 | 4B | 140 BPM | ||
| Wayfarer | Patient Sixty-Seven | F Minor | 10 | 4A | 140 BPM | ||
| Impermanence - Abbey Road Version | Architects | A Major | 9 | 11B | 174 BPM | ||
| Thin Line | Cold Night For Alligators | F♯ Major | 10 | 2B | 77 BPM | ||
| Sacrifice | The Devil Wears Prada | E Minor | 9 | 9A | 145 BPM | ||
| Even God Has A Hell | Like Moths To Flames | F♯ Minor | 10 | 11A | 125 BPM | ||
| BRAINSIC | I The Breather | B♭ Minor | 10 | 3A | 111 BPM | ||
| Scattered | Patient Sixty-Seven | F Minor | 10 | 4A | 140 BPM | ||
| SILVER LINING | Ocean Grove | G Major | 9 | 9B | 122 BPM | ||
| Rapture | Underoath | G Major | 9 | 9B | 96 BPM | ||
| Empty Gardens | Eidola | A Minor | 9 | 8A | 174 BPM | ||
| What I Lack | Belmont | D♭ Major | 10 | 3B | 165 BPM | ||
| Translate the Night | Silent Planet | G Major | 10 | 9B | 162 BPM |