Alessandro Scarlatti, Víctor Sordo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Seconda Parte: Dunque più non ti sia (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Seconda Parte: Dunque più non ti sia (Recitativo) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Seconda Parte: Dunque più non ti sia (Recitativo) by Alessandro Scarlatti, Víctor Sordo, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | A♭ Major | 1 | 4B | 126 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: III. Allegro | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 2 | 3B | 118 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| San Giovanni Battista: Deste un tempo | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 118 BPM | ||
| Stabat mater: VI. Quis non posset contristari | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | B♭ Minor | 1 | 3A | 103 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio (Andante largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca | E Major | 2 | 12B | 80 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Pergolesi: Sinfonia a tre in F Major: III. Adagio | Giovanni Battista Pergolesi, Il Seminario Musicale | C Minor | 0 | 5A | 111 BPM | ||
| Requiem in F Major: Dies Irae: Dies irae | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 85 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6: III. Largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | E♭ Minor | 1 | 2A | 63 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 6. Duett. Deposuit potentes de sede (A, T) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 1 | 1B | 135 BPM | ||
| Polifemo: Overture | Nicola Porpora, Stefan Plewniak, Orchestre de l'Opéra Royal | D♭ Major | 4 | 3B | 123 BPM | ||
| Scarlatti, Alessandro : Sonata for Recorder & 2 Violins in A minor : IV Piano | Alessandro Scarlatti, Il Giardino Armonico, Giovanni Antonini | A♭ Minor | 0 | 1A | 78 BPM | ||
| Rameau : La Guirlande : "La flûte est des soupirs le plus tendre interprète" [Myrtil, Chorus] | Jean-Philippe Rameau, William Christie, Cappella Coloniensis des WDR, Frauke Lukas | E♭ Major | 4 | 5B | 65 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM |