"A Threefold Heart: II. If I Had Known" by Will Liverman, Isabel Leonard had its release date on June 27, 2025. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Dunbar/Moore Sessions, Vol. II". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of A Threefold Heart: II. If I Had Known is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Threefold Heart: II. If I Had Known by Will Liverman, Isabel Leonard having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emily — No Prisoner Be: No. 9, I Felt a Funeral | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 134 BPM | ||
| 7 Canciones Populares Españolas (Arr. for Soprano & Guitar): No. 5, Nana | Manuel de Falla, Isabel Leonard, Sharon Isbin | D Major | 0 | 10B | 113 BPM | ||
| O Salutaris Hostia (Arr. for Soprano, Soprano Saxophone, and Organ by Raimonds Petrauskis and Oskars Petrauskis) | Ēriks Ešenvalds, Oskars Petrauskis, Marina Rebeka, Liene Andreta Kalnciema | D Major | 2 | 10B | 85 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Clavelitos | Joaquín Valverde, Isabel Leonard, Brian Zeger | D Minor | 1 | 7A | 76 BPM | ||
| the sense of senses | David Lang, The Crossing, Donald Nally | G Minor | 2 | 6A | 92 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| I Want Yer, Ma Honey | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| 7 Canciones Populares Españolas (Arr. for Soprano & Guitar): No. 6, Canción | Manuel de Falla, Isabel Leonard, Sharon Isbin | G Major | 2 | 9B | 172 BPM | ||
| 歌劇《こどもと魔法》 / 第1部 & 第2部: 昆虫、雨蛙、ひき蛙の大合唱-「ああ!お庭さんにまた会えて、うれしいよ!」 - 2013年 まつもと市民芸術館 / ライヴ録音 | Maurice Ravel, Isabel Leonard, ポール・ガイ, SKF Matumoto Choir, Saito Kinen Orchestra, Seiji Ozawa | F Major | 1 | 7B | 109 BPM | ||
| Kertokaa se hänelle | Tenor Heikki Halinen | C Minor | 1 | 5A | 102 BPM | ||
| 5 Songs of Laurence Hope: No. 1, Worth While | Harry Burleigh, Will Liverman, Paul Sánchez | F Major | 3 | 7B | 168 BPM | ||
| Amichai and Pie | Joel Goodman | G Minor | 0 | 6A | 67 BPM | ||
| Ave verum corpus, K. 618 - Arr. for Solo Piano by F. Liszt | Wolfgang Amadeus Mozart, Benedetta Iardella | A♭ Minor | 1 | 1A | 71 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 13, Praise to the Holiest in the height (Choir of Angelicals) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | A Minor | 3 | 8A | 68 BPM | ||
| Renewal Of The Dead (For The Benefit Of All Beings) | Paul Willson | A Major | 2 | 11B | 78 BPM | ||
| 5 Canciones Negras: No. 2, Punto de Habañera | Xavier Montsalvatge, Isabel Leonard, Brian Zeger | D Minor | 3 | 7A | 125 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D♭ Major | 1 | 3B | 134 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
| Songs in Flight: No. 9, I Go by Robert | Shawn E. Okpebholo, Reginald Mobley, Karen Slack, Will Liverman, Paul Sánchez | E Major | 1 | 12B | 91 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
| Emily — No Prisoner Be: No. 7, Because I could not stop for Death | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 134 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Four Songs: No. 3, I Know My Mind | Margaret Bonds, Will Liverman, Jonathan King | F♯ Major | 0 | 2B | 74 BPM |