On May 20, 2000, the song "An Evening In Paris Revival Film - An Evening In Paris" was released by Mohammed Rafi, Shankar Jaikishan. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 68 in the song's album "Revival Vol.15 - Main Kya Karoon Ram". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, An Evening In Paris Revival Film - An Evening In Paris is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With An Evening In Paris Revival Film - An Evening In Paris by Mohammed Rafi, Shankar Jaikishan having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tujhse Naraz Nahin Zindagi - Anup Ghoshal | Anup Ghoshal, R. D. Burman | G Major | 4 | 9B | 98 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Chale Aao Saiyan | Jagjit Kaur, Pamela Chopra | F♯ Major | 8 | 2B | 188 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Chaman Mein Rah Ke Virana (From "Deedar") | Shamshad Begum | D Major | 5 | 10B | 126 BPM | ||
| Dil E Nadan Tujhe Hua Kya Hai | Suraiya, Talat Mahmood | E Major | 5 | 12B | 105 BPM | ||
| Na Tum Hamen Jano - Hemant Kumar | Hemant Kumar | C Minor | 2 | 5A | 113 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Na Mangun Sona Chandi | Manna Dey, Shailendra Singh, Laxmikant–Pyarelal | A♭ Major | 8 | 4B | 90 BPM | ||
| Kya Khoob Lagti Ho - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Mukesh, Kanchan | F♯ Major | 9 | 2B | 132 BPM | ||
| Khwab Ho Tum Ya Koi Haqeeqat | Kishore Kumar, S. D. Burman | G Major | 5 | 9B | 124 BPM | ||
| Jeena Yahan Marna Yahan | Mukesh | F Major | 5 | 7B | 84 BPM | ||
| Mujhko Apne Gale Laga Lo | Mubarak Begum, Mohammed Rafi | D Minor | 2 | 7A | 71 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Maine Tere Liye | Mukesh | E♭ Major | 7 | 5B | 126 BPM | ||
| Yeh Wadiyan Yeh Fizayen | Mohammed Rafi | E♭ Major | 5 | 5B | 118 BPM | ||
| Ek Taraf Uska Ghar | Pankaj Udhas | B Minor | 5 | 10A | 88 BPM | ||
| Ram Teri Ganga Maili | Suresh Wadkar | E♭ Major | 6 | 5B | 155 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Achha Ji Main Haari Chalo | Asha Bhosle, Mohammed Rafi | D Major | 5 | 10B | 102 BPM | ||
| Tujhe Jeevan Ki Dor Se | Lata Mangeshkar, Mohammed Rafi | B♭ Minor | 4 | 3A | 140 BPM | ||
| Geet Gata Chal | Jaspal Singh | A Major | 6 | 11B | 88 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM |