On November 22, 2000, the song "Aavahi Perdeshi Saiya" was released by Barkha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani's "Gaal Se Gaal Milav" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Aavahi Perdeshi Saiya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Aavahi Perdeshi Saiya by Barkha Rani to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parda Upare Hema Malini | Manoj | B♭ Minor | 9 | 3A | 138 BPM | ||
| Muskan Me Aaha Ka - Maithili | Sannu Kumar, Jyoti B,k | A Major | 10 | 11B | 110 BPM | ||
| Jheenee Jheenee Ancharwa | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Jamajam Jawani Re | Sanjay Surila, Pramila Koya, Vijaya Raut | F Major | 9 | 7B | 144 BPM | ||
| Hariyar Doliya Me Lalka | Bharat Sharma | E♭ Minor | 7 | 2A | 149 BPM | ||
| Sabka Balmoova | Bijli Rani, Rekha Rani, Barkha Rani | G Major | 6 | 9B | 87 BPM | ||
| Kar Tiya Hansi Fansi Kaare | Barkha Rani, Bhagwan Das Sharma | F♯ Major | 5 | 2B | 77 BPM | ||
| Tohi Dil Tohi Jaan | Satish Das | B Minor | 9 | 10A | 108 BPM | ||
| Dil Mera Halak Duba | Pankaj, Monika | A♭ Minor | 6 | 1A | 99 BPM | ||
| Aaja Ab Kiyo Der Lagay | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Patang Lakhe Dil Se Khelala | Nagpuri | B♭ Minor | 9 | 3A | 128 BPM | ||
| Mal Mal Ke Nahaye | Gofelal Gendle, Chandrkala Gendle | B♭ Major | 8 | 6B | 154 BPM | ||
| Main Salma Tu Meri Jaan | Jitendra Tomkyal, Meena Rana | A♭ Major | 8 | 4B | 101 BPM | ||
| Chandna Hoya Gat Me Khake Bhbhuti Teri | Parveen Chawariya | C Major | 9 | 8B | 126 BPM | ||
| Gagri Ke Paniya Chhuo Ho Tor Badaniya - Khortha | Milan Das, Abhishek | F Minor | 10 | 4A | 150 BPM | ||
| Sun Oo Aamawali | Sanjay Surila, Jaya Tirki, Basanti Rangeeli | F Major | 8 | 7B | 81 BPM | ||
| Hansa Ke Sawari Dai | Santosh Yadav | C Minor | 9 | 5A | 160 BPM | ||
| Colij Ki Love Story | Aslam Singer Punhana | F Minor | 10 | 4A | 100 BPM | ||
| Dei De Chumma Re ( Nagpuri Song ) | Mitali Ghosh, Satya | G Major | 8 | 9B | 140 BPM | ||
| Hai Re Dila | Satish Das | F♯ Minor | 6 | 11A | 92 BPM | ||
| Kesh Khoil Diyau | Amit Jha | G Minor | 6 | 6A | 100 BPM | ||
| Kaise Sudhri Bihar Rajendra Kaka | Anand Mohan, Vinay Bihari, Indu Sonali | B♭ Minor | 8 | 3A | 145 BPM | ||
| Payar Kare Se Pahile | Arjun Kumar, Karina Pandey | D♭ Major | 8 | 3B | 89 BPM | ||
| Deewana Bhelo Aashiq Banala | That Nagpuri | C Major | 10 | 8B | 180 BPM | ||
| Tari Nari Nana Ho | Kavita Vasnik | C Major | 9 | 8B | 160 BPM |