"Desolate Views" by Pawel Blaszczak had its release date on July 29, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 30 in the song's album "The Ascent (Original Game Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Turks and Caicos Islands. Desolate Views is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Desolate Views by Pawel Blaszczak having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Glocke | Martin Stig Andersen | F Major | 1 | 7B | 66 BPM | ||
| Sneaking Suspicions | OGRE Sound | B Minor | 9 | 10A | 125 BPM | ||
| Up the Windmill | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Dr. Koller | Sascha Dikiciyan | D♭ Major | 5 | 3B | 160 BPM | ||
| Aeon Travel | Pawel Blaszczak | F Minor | 3 | 4A | 80 BPM | ||
| The Mission | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Roseway | Justin E. Bell | G Major | 3 | 9B | 146 BPM | ||
| Trapped in the Ice | Oscillian | C Major | 8 | 8B | 108 BPM | ||
| What Next | Pawel Blaszczak | C Minor | 2 | 5A | 150 BPM | ||
| Shipping Forecast | Hildur Guðnadóttir, Sam Slater | G Major | 2 | 9B | 146 BPM | ||
| System Reboot | Sascha Dikiciyan | G Major | 9 | 9B | 115 BPM | ||
| Devastation | Alexey Omelchuk | A♭ Major | 5 | 4B | 80 BPM | ||
| Groove Flame | Koe Lil | F Minor | 4 | 4A | 99 BPM | ||
| The Master Plan | Paradox Interactive, Martin Hall | G Minor | 2 | 6A | 132 BPM | ||
| Sunset Arthur | Michael Wyckoff | B♭ Major | 7 | 6B | 171 BPM | ||
| Shen's Hope | Tim Wynn | D Major | 0 | 10B | 78 BPM | ||
| The Bunker | Metro Exodus, Alexey Omelchuk | C Major | 1 | 8B | 89 BPM | ||
| Pristine Facade | Pawel Blaszczak | F Minor | 4 | 4A | 150 BPM | ||
| End of the Road | Robert Lundgren, Funcom Soundtrack | D♭ Major | 8 | 3B | 98 BPM | ||
| Homesick | Alexei Zakharov | D♭ Major | 4 | 3B | 92 BPM | ||
| Goons of Tomorrow | Tommy Gustafsson | D Major | 6 | 10B | 155 BPM | ||
| LE DAMOS CON LA DEFENSA | Tarsila Dropwave | B Major | 5 | 1B | 166 BPM | ||
| Nadir | Brunon Lubas | B Minor | 2 | 10A | 67 BPM | ||
| 1.4_4-exploitingtyrell.wav | Mac Quayle | G Minor | 2 | 6A | 133 BPM | ||
| Lost in Analogue | Telestation Alpha | E Major | 8 | 12B | 142 BPM |