Mark Richardson's ' "In A Trance" was released on its scheduled release date, December 4, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Hard Trance EP 1" album is number 1 out of 2. Based on our statistics, In A Trance's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of In A Trance by Mark Richardson to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| Makemake | Mark Richardson | B Minor | 9 | 10A | 135 BPM | ||
| Gianni Schicchi: Aria "O mio babbino caro" | Giacomo Puccini, Royal Philharmonic Orchestra, Charles Dutoit, Deborah Norman | A♭ Major | 2 | 4B | 174 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | ||
| Rigoletto / Act 3: Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca) | Giuseppe Verdi, Vladimir Chernov, Roberto Scandiuzzi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A Major | 9 | 11B | 99 BPM | ||
| The Easter Hymn | Treorchy Male Voice Choir | G Major | 1 | 9B | 83 BPM | ||
| Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
| God Has His Reasons | Mark Richardson | D♭ Major | 4 | 3B | 156 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| West Side Story: Only you, you're the only thing I'll see forever....Tonight, tonight, it all began tonight | Orchestra of the Royal Opera House, Covent Garden, Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 72 BPM | ||
| Candide / Act I: 8. Dear Boy | Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus | F Major | 1 | 7B | 133 BPM | ||
| Six Choral Folk Songs, H.136 (1995 - Remaster): 1. I sowed the seeds of love | Gustav Holst, Baccholian Singers of London | D Major | 2 | 10B | 137 BPM | ||
| Turandot: Act I: Gira la cote! Gira! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
| Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 128 BPM | ||
| Oklahoma!, Act 1: No. 1, Oh, What a Beautiful Mornin' | Richard Rodgers, Nathaniel Hackmann, Sandra Marvin, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 80 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Va pensiero (Chorus of the Hebrew Slaves) (from Nabucco) | Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw | G Major | 3 | 9B | 66 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Major | 3 | 10B | 111 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Gloria sit Patri Domino | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 6 | 5B | 132 BPM | ||
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| H.M.S. Pinafore / Act 1: Refrain, audacious tar | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, Thomas Round, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 85 BPM | ||
| Despina | Mark Richardson | A Major | 8 | 11B | 138 BPM |