"Judas Maccabaeus, HWV 63: Suite (Arr. D. Haislip)" by George Frideric Handel, Solid Brass had its release date on January 1, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Solid Brass: Christmas With Solid Brass". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The popularity of Judas Maccabaeus, HWV 63: Suite (Arr. D. Haislip) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Judas Maccabaeus, HWV 63: Suite (Arr. D. Haislip) by George Frideric Handel, Solid Brass having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| Rinaldo, HWV 7: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 134 BPM | ||
| Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: II. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Minor | 1 | 12A | 76 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
| Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VII. Minuet | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 185 BPM | ||
| Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 177 BPM |