Louis C.K.'s 'The Way We Talk (Hilarious)' had a release date set for September 18, 2010. At 8 minutes and 50 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. The track order of this song in Louis C.K.'s "Hilarious" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. The Way We Talk (Hilarious) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Way We Talk (Hilarious) by Louis C.K. to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Miracle of Sweatpants | Patton Oswalt | F♯ Major | 9 | 2B | 145 BPM | ||
| Tear off a Head Easy | Anthony Jeselnik | B♭ Minor | 7 | 3A | 80 BPM | ||
| It's Good to Be Alive | Norm MacDonald | A Major | 8 | 11B | 105 BPM | ||
| Pride | Louis Katz | F Major | 8 | 7B | 134 BPM | ||
| Brooklyn | Kumail Nanjiani | B Minor | 10 | 10A | 79 BPM | ||
| Childhood | Todd Glass | D♭ Major | 6 | 3B | 83 BPM | ||
| The House is Rockin' (with Domestic Problems) | Kyle Kinane | E Major | 6 | 12B | 126 BPM | ||
| Hunchback / Pocahontas / Friday 13th | Pablo Francisco | F♯ Major | 5 | 2B | 127 BPM | ||
| Special Olympics | Artie Lange | A Major | 6 | 11B | 187 BPM | ||
| Pussy Whipped, Best Friends | Joe Rogan | D♭ Major | 7 | 3B | 86 BPM | ||
| I'm Done Letting People I Hate Choose How I Live My Life | Ari Shaffir | A♭ Major | 8 | 4B | 92 BPM | ||
| The Fatty | Joe DeRosa | F♯ Major | 9 | 2B | 56 BPM | ||
| Where Women Might Be | Jim Jefferies | F♯ Major | 8 | 2B | 131 BPM | ||
| Shouting Black | Tom Segura | E Major | 7 | 12B | 79 BPM | ||
| My Grandma and the Booty Clap | Rachel Feinstein | G Minor | 2 | 6A | 101 BPM | ||
| Why Would You Tell Me That? | Hannibal Buress | D Minor | 8 | 7A | 92 BPM | ||
| My Dad Told Me | Tom Segura | F Major | 9 | 7B | 143 BPM | ||
| Las Vegas: All You Can Eat | John Pinette | D♭ Major | 8 | 3B | 105 BPM | ||
| I Fell Down in London! Oh, And Bought a Phone! | Eugene Mirman | D♭ Major | 9 | 3B | 111 BPM | ||
| Tom Brady | Artie Lange | B♭ Major | 10 | 6B | 110 BPM | ||
| Newark | Artie Lange | D♭ Major | 10 | 3B | 81 BPM | ||
| Eight | Daniel Tosh | A♭ Major | 10 | 4B | 106 BPM | ||
| Scratching Privates | Chad Daniels | F♯ Major | 8 | 2B | 87 BPM | ||
| Greatest City on Earth / Getting Old | Greg Giraldo | D♭ Major | 9 | 3B | 123 BPM | ||
| Detroit Rock City | Kyle Kinane | F Major | 9 | 7B | 93 BPM |