Helen Forrest's 'Mad About The Boy' had a release date set for 2004. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Mad About The Boy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helen Forrest's "Helen Forrest: The Complete World Transcriptions" album is number 10 out of 50. On top of that, United States appears to be the country where this track was created. Mad About The Boy is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mad About The Boy by Helen Forrest to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sincerely | The McGuire Sisters | G Major | 1 | 9B | 81 BPM | ||
| Dark As A Dungeon | Tennessee Ernie Ford | F Major | 0 | 7B | 102 BPM | ||
| Slave To The Blues | Ma Rainey | F Major | 1 | 7B | 79 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 1 | 3B | 149 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Blues in the Night | Woody Herman & His Orchestra | C Major | 2 | 8B | 89 BPM | ||
| With the Wind and the Rain In Your Hair | Bob Crosby | A Minor | 3 | 8A | 122 BPM | ||
| Black and Blue | Frankie Laine | F Major | 2 | 7B | 129 BPM | ||
| Road To Morocco: Ain't Got a Dime To My Name (Ho Hum) | Bob Hope | C Minor | 2 | 5A | 135 BPM | ||
| Lazy Bones | Midge Williams | G Minor | 1 | 6A | 95 BPM | ||
| There I Go | Vaughn Monroe | A♭ Major | 3 | 4B | 100 BPM | ||
| Fallout Shelter | Mike & Bernie Winters | C Major | 8 | 8B | 119 BPM | ||
| They Say | Artie Shaw & His Ochestra, Helen Forrest | D♭ Major | 2 | 3B | 110 BPM | ||
| G.I. Jive | Johnny Mercer | E♭ Major | 3 | 5B | 124 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | G Major | 1 | 9B | 81 BPM | ||
| My Reverie | Helen Forrest | F♯ Major | 1 | 2B | 102 BPM | ||
| Coming in on a Wing & a Prayer | Anne Shelton | G Major | 1 | 9B | 81 BPM | ||
| In A Shanty In Old Shanty Town | Johnny Long | F Major | 3 | 7B | 168 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | G Major | 1 | 9B | 81 BPM | ||
| Goodnight, Sweetheart, Goodnight | The McGuire Sisters | F Major | 2 | 7B | 70 BPM | ||
| Heartaches | Eddy Howard | G Major | 1 | 9B | 81 BPM | ||
| One More Tomorrow | Frankie Carle | G Major | 1 | 9B | 81 BPM | ||
| Veni Vidi Vici | Ronnie Hilton | G Major | 1 | 9B | 81 BPM | ||
| Roll on, Mississippi, roll on | The Boswell Sisters, The Dorsey Brothers Orchestra | B Minor | 4 | 10A | 112 BPM |