Manhar Udhas's ' "Tamone Bhet Dharva" was released on its scheduled release date, January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Amrut by Manhar Udhas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Tamone Bhet Dharva's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Tamone Bhet Dharva by Manhar Udhas is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baharo Phool Barsao (From "Suraj") | Mohammed Rafi | E♭ Minor | 5 | 2A | 168 BPM | ||
| O Rabba (From "Zamaana Deewana") | Udit Narayan, Sapna Awasthi | A♭ Minor | 7 | 1A | 157 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Milne Ki Tum Koshish Karna | Asha Bhosle, Kumar Sanu | F♯ Major | 6 | 2B | 149 BPM | ||
| Pyar Karte Hai Hum | Asha Bhosle, Manhar Udhas | D Major | 4 | 10B | 101 BPM | ||
| Sabne Desh Ka Naam Liya | Mahendra Kapoor, Manhar Udhas, Hemlata, Laxmikant–Pyarelal | B Minor | 6 | 10A | 77 BPM | ||
| Commentary Tabussum And Ho Pardesia - Mrnatwarlal | Tabassum, Kishore Kumar, Lata Mangeshkar, Rajesh Roshan | A♭ Major | 7 | 4B | 66 BPM | ||
| Tumhe Kya Batayein | Altaf Raja | G Minor | 6 | 6A | 126 BPM | ||
| Dil Dhak Dhak Dhadke | Jaspinder Narula | G Major | 10 | 9B | 112 BPM | ||
| Teri Mohabbat Meri Jawani | Salma Agha, Mohammed Aziz | D♭ Major | 6 | 3B | 100 BPM | ||
| Pyar Ho Na Jaaye | Ram Shankar, Shankar Mahadevan, Raj Bhatt | C Major | 7 | 8B | 91 BPM | ||
| Shaam Hai Dhuan Dhuan | Ajay Devgan, Poornima, Anu Malik, Javed Akhtar | C Major | 9 | 8B | 122 BPM | ||
| Mohabbat Ab Tijarat Ban Gai Hai | Anwar, Laxmikant–Pyarelal | G Minor | 5 | 6A | 127 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Sajna Mein Teri Tu Mera | Anuradha Paudwal, Vipin Sachdeva | G Minor | 5 | 6A | 78 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| O Meri Mehbooba Mehbooba Mehbooba - From "Dharam Veer" | Mohammed Rafi | D♭ Major | 9 | 3B | 134 BPM | ||
| Yeh Duniya Yeh Mehfil - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | D Minor | 8 | 7A | 136 BPM | ||
| Kevo Prabhav | Manhar Udhas | F♯ Minor | 6 | 11A | 84 BPM | ||
| Pehle to Kabhi Kabhi | Altaf Raja | D♭ Minor | 7 | 12A | 180 BPM | ||
| Na Jaiyo Pardes | Kishore Kumar, Kavita Krishnamurthy, Laxmikant–Pyarelal | B Minor | 7 | 10A | 169 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Jab Jab Tu Mere Samne Aaye | Jaspal Singh | A Major | 6 | 11B | 91 BPM | ||
| Chal Maliye | Manhar Udhas | E♭ Major | 3 | 5B | 80 BPM |