George "Pops" Foster, Art Hodes's ' "Dialogue #2" was released on its scheduled release date, 1999. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George "Pops" Foster's "George "Pops" Foster with Art Hodes" album is number 4 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Dialogue #2 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dialogue #2 by George "Pops" Foster, Art Hodes to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Laughed at Everything | Moss & Marrow | F Minor | 1 | 4A | 107 BPM | ||
| Metronome All-Out - Remastered 2021 | The Metronome All-Stars | G Minor | 5 | 6A | 207 BPM | ||
| Quiet Plates | Tessa Rookey | F♯ Minor | 5 | 11A | 67 BPM | ||
| Everything I Love | Kenny Drew | A♭ Major | 1 | 4B | 114 BPM | ||
| Night Ends | Nordic Jazz Club | F Major | 1 | 7B | 142 BPM | ||
| Big Black Buffalo - 1943 | Raymond Scott, The CBS Orchestra | G Major | 4 | 9B | 114 BPM | ||
| Loop Broke, Kept Playing | ovo ~ Quack Jazz ~ | F Major | 3 | 7B | 100 BPM | ||
| Velvet Beat | Vivienne Porter | C Minor | 0 | 5A | 73 BPM | ||
| Blues to Be There | Duke Ellington & His Orchestra | F♯ Minor | 5 | 11A | 67 BPM | ||
| Waiting Heart | The Limp Twins, New York Bar Quartett, Alex Decante | G Major | 1 | 9B | 122 BPM | ||
| I Wish I Could Shimmy Like My Sister Kate | Keith Smith's All Stars, George "Pops" Foster, Capt. John Handy, Jimmy Archey, Lars Edegran, Ron Simpson, Freddy Moore | F Major | 4 | 7B | 101 BPM | ||
| Empty Case Ensemble | Flow Tone | A♭ Major | 2 | 4B | 107 BPM | ||
| Compilação de Natal | Jazz de Natal | C Major | 0 | 8B | 87 BPM | ||
| Warmed by Silence | The Jazzest | E♭ Major | 1 | 5B | 94 BPM | ||
| Jambangle | Gil Evans | C Major | 2 | 8B | 79 BPM | ||
| Edges of Nature, Pt. XIII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| Where Desire Overflows | A Jazz Story | F♯ Minor | 5 | 11A | 67 BPM | ||
| Minuit au quartier | New Orleans Sound, Maxim Saury | G Minor | 3 | 6A | 105 BPM | ||
| Empire Broken | AethericArtisan | A Major | 3 | 11B | 95 BPM | ||
| Paraphrase | Billy Taylor Trio | B♭ Major | 4 | 6B | 102 BPM | ||
| Whispered Chords | Julian Lowlight | F♯ Minor | 5 | 11A | 67 BPM | ||
| I Got Rhythm, Pt. 2 | Jo Jones Trio | D♭ Major | 9 | 3B | 145 BPM | ||
| Idle Moments | Scott Hamilton | F♯ Minor | 5 | 11A | 67 BPM | ||
| Oo Bla Dee | Junior Mance | G Major | 2 | 9B | 101 BPM | ||
| Jackass Blues | George "Pops" Foster, Art Hodes | B♭ Major | 1 | 6B | 118 BPM |