Origamibiro's ' "Direct Voice" was released on its scheduled release date, February 27, 2014. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Odham's Standard". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Direct Voice is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Direct Voice by Origamibiro having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let My Key Be C | Nils Frahm, Anne Müller | F Major | 3 | 7B | 164 BPM | ||
| Taïko Stomp | Christophe Zurfluh | D♭ Major | 0 | 3B | 160 BPM | ||
| Icefloe | Zoë Keating | A Minor | 1 | 8A | 122 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Les autres | Charlotte Reinhardt | G Major | 2 | 9B | 64 BPM | ||
| Infra 1 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | C Major | 4 | 8B | 86 BPM | ||
| La mort dans l'âme | Marek Hunhap | D Major | 0 | 10B | 69 BPM | ||
| Riding Bicycles Through the Muddy Streets | Kronos Quartet, Laurie Anderson | G Major | 4 | 9B | 164 BPM | ||
| 40/40 | Manu Delago, Max ZT | A Minor | 1 | 8A | 96 BPM | ||
| Lighter and Lighter | Hania Rani | A Minor | 1 | 8A | 96 BPM | ||
| A Bout De Souffle | Dictaphone | D♭ Minor | 4 | 12A | 128 BPM | ||
| Information | Matija Strniša | C Major | 7 | 8B | 110 BPM | ||
| Al Principio Cuando Te Vi | Melody 56 | B Major | 2 | 1B | 120 BPM | ||
| Cage Then Brick | Hidden Orchestra | A♭ Major | 4 | 4B | 142 BPM | ||
| Six Breaths: II Breath, Out of Breath | Ezio Bosso, The London Cellos Ensemble | G Major | 2 | 9B | 103 BPM | ||
| Still Moving | Yaron Engler | E♭ Major | 4 | 5B | 120 BPM | ||
| Manami | Dictaphone | D♭ Major | 10 | 3B | 175 BPM | ||
| Fractal | David Duffy | C Major | 5 | 8B | 114 BPM | ||
| White Noise II | Ran Bagno | E Minor | 3 | 9A | 164 BPM | ||
| Rattle | Dictaphone | F Major | 5 | 7B | 168 BPM | ||
| Sycamore Trees | Jamie Saft | A Minor | 1 | 8A | 96 BPM | ||
| Aftermath | Kaitlyn Raitz | A Minor | 1 | 8A | 96 BPM | ||
| Love of Fate | Christen Lien | D Minor | 1 | 7A | 111 BPM | ||
| stutter apertures | Ryan Lott | F Major | 3 | 7B | 141 BPM | ||
| Rosas | Travis Lake | D♭ Minor | 2 | 12A | 130 BPM |