Paul Clark's 'Now And Forevermore' had a release date set for 1976. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Clark's "Hand To The Plow" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. Now And Forevermore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Now And Forevermore by Paul Clark to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Much Love to Hide - 2012 Remaster | Crosby, Stills & Nash | D Major | 8 | 10B | 123 BPM | ||
| The Sky's the Limit | Leon Patillo | B♭ Major | 3 | 6B | 105 BPM | ||
| It Doesn't Matter | Firefall | G Major | 7 | 9B | 119 BPM | ||
| Stay (Night Until Noon) | Poco | E♭ Minor | 6 | 2A | 133 BPM | ||
| Promises, Promises | Lee Ritenour | D Major | 4 | 10B | 112 BPM | ||
| Too Good to Last | David Roberts | C Minor | 6 | 5A | 99 BPM | ||
| Look What Has Happened To Me | Amy Grant | F Major | 6 | 7B | 96 BPM | ||
| California Turnaround | Bill LaBounty | F Major | 4 | 7B | 94 BPM | ||
| Who's To Blame | Solution | F Major | 6 | 7B | 138 BPM | ||
| Real Love | The Doobie Brothers | F Major | 5 | 7B | 118 BPM | ||
| The Way I Feel | Adrian Gurvitz | E Minor | 6 | 9A | 122 BPM | ||
| Dependin' on You | The Doobie Brothers | B Minor | 5 | 10A | 127 BPM | ||
| First Time | Michael Sembello | A Major | 7 | 11B | 115 BPM | ||
| You're All That I Need | Ace | D Major | 6 | 10B | 149 BPM | ||
| It's So Good To Know | Gentle Faith | D♭ Major | 6 | 3B | 98 BPM | ||
| WHERE DID WE GO WRONG | Marc Jordan | A♭ Major | 5 | 4B | 112 BPM | ||
| A Clue | Boz Scaggs | C Major | 4 | 8B | 77 BPM | ||
| One Step Closer | The Doobie Brothers | A Major | 6 | 11B | 131 BPM | ||
| Do Right | Paul Davis | C Major | 6 | 8B | 109 BPM | ||
| Silence (Paul Clark Radio Edit) | Masif DJ's, Paul Clark | G Major | 10 | 9B | 140 BPM | ||
| Phantom of the Footlights | Larsen/Feiten Band | D Minor | 4 | 7A | 141 BPM | ||
| Right Through the Heart | Byrne & Barnes | E Minor | 5 | 9A | 77 BPM | ||
| Boys of Autumn | David Roberts | D♭ Major | 6 | 3B | 120 BPM | ||
| (Can't Fall Asleep To A) Lullabye | America | C Major | 4 | 8B | 118 BPM | ||
| We Know the Way by Heart | Koinonia | D♭ Major | 5 | 3B | 105 BPM |