"Romance nº 2" by Carlos Paredes, Fernando Alvim had its release date on 1967. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Carlos Paredes's "Guitarra portuguesa" album is number 9 out of 11. On top of that, Portugal appears to be the country where this track was created. Romance nº 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance nº 2 by Carlos Paredes, Fernando Alvim to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mano | B Fachada | F♯ Major | 4 | 2B | 165 BPM | ||
| Partizan | Tuna Universitária do Minho | A Major | 4 | 11B | 115 BPM | ||
| Meditando | Ricardo Parreira, Fernando Alvim | E Major | 2 | 12B | 110 BPM | ||
| Para Cá, Para Lá | Fernando Alvim, Pedro Moutinho | E Major | 2 | 12B | 99 BPM | ||
| Marcha 'em Fá | Ricardo Silva | E♭ Major | 7 | 5B | 118 BPM | ||
| Livres Criaturas | Cara de Espelho | E Minor | 1 | 9A | 127 BPM | ||
| Senhora do Almortão | Rodrigo Lourenço, Celina Da Piedade, Cantadores do Alentejo | E Minor | 4 | 9A | 106 BPM | ||
| Bolero do coronel sensível que fez amor em Monsanto | Vitorino | F Minor | 3 | 4A | 107 BPM | ||
| Politicamente Incorrecto | Ena Pá 2000 | G Major | 6 | 9B | 187 BPM | ||
| Do que um homem é capaz | José Mário Branco | D Minor | 3 | 7A | 108 BPM | ||
| O vestido vermelho | JP Simões | F♯ Minor | 4 | 11A | 81 BPM | ||
| Foi Deus | Rão Kyao | E Major | 1 | 12B | 92 BPM | ||
| A Noiva | Criatura, Coro dos Anjos | B Minor | 3 | 10A | 170 BPM | ||
| Chaya del Vino Nuestro | Rodolfo Tubo Moya, Carlos Paredes, Ramón Navarro | C Major | 4 | 8B | 95 BPM | ||
| Maria Lisboa | Custódio Castelo | A Major | 4 | 11B | 125 BPM | ||
| O Homem do Saldanha | Marco Rodrigues, Carlos Do Carmo | D Major | 3 | 10B | 103 BPM | ||
| Sábado À Tarde | Paulo de Carvalho, Tozé Brito | G Minor | 4 | 6A | 76 BPM | ||
| A Ilha | Fausto | C Major | 3 | 8B | 77 BPM | ||
| Trazias de Lisboa | Manuel Alegre, Carlos Paredes | D♭ Major | 1 | 3B | 129 BPM | ||
| Quando janto em restaurantes | Deolinda | C Minor | 4 | 5A | 183 BPM | ||
| Foi a travessa da palha | Lucilla Do Carmo | C Major | 4 | 8B | 166 BPM | ||
| Cidade Fantasma | O Gajo | B♭ Minor | 6 | 3A | 150 BPM | ||
| Balada do outono | José Afonso | A♭ Minor | 2 | 1A | 67 BPM | ||
| Fado Em Cinco Estilos | Maria Teresa De Noronha | B Major | 1 | 1B | 108 BPM | ||
| Ao Romper Da Madrugada | Rancho De Cantadores De Aldeia Nova De São Bento | D Major | 0 | 10B | 68 BPM |