"Jellyfish" by Amelia Warner had its release date on May 31, 2024. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Young Woman and the Sea (Original Score) by Amelia Warner. The song's track number on the album is #18 out of 25 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Jellyfish is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Jellyfish by Amelia Warner has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Jellyfish being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Destiny on Culloden Moor | Bear McCreary | D Minor | 2 | 7A | 110 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| The Globe Newsroom | Howard Shore | G Major | 0 | 9B | 106 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| The Big Relief | Kevin Smuts | A Minor | 1 | 8A | 97 BPM | ||
| See You Again | Mychael Danna | E Major | 1 | 12B | 96 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Salvation | Volker Bertelmann | F Major | 2 | 7B | 78 BPM | ||
| Remembering Apollo | Mychael Danna, Harry Gregson-Williams | A Major | 2 | 11B | 115 BPM | ||
| Find Faith | Amelia Warner | D Major | 2 | 10B | 57 BPM | ||
| Hostage Exchange | Cho Young-Wuk | F Major | 1 | 7B | 140 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Channel Plan | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| Do you Remember? | Alex Heffes | A Minor | 1 | 8A | 69 BPM | ||
| I Am Every Shell Washed Upon The Shore - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Spancill Hill | Edmund Butt | B♭ Major | 2 | 6B | 89 BPM | ||
| The Vision Of The Future | Paolo Buonvino | E Minor | 0 | 9A | 110 BPM | ||
| Recollection | Austin Fray | A Major | 2 | 11B | 59 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Grace Alone | Alex Heffes | C Minor | 1 | 5A | 79 BPM |