Mary Lou Williams's ' "St Louis Blues" was released on its scheduled release date, January 27, 1945. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 44 in Blueprints for a Velvet Galaxy (After Hours Sessions) by Mary Lou Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of St Louis Blues is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of St Louis Blues by Mary Lou Williams is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Cover The Waterfront | Paul Gonsalves | G Minor | 0 | 6A | 75 BPM | ||
| Violets For Your Furs | Nat Adderley, Wes Montgomery, Sam Jones | F Major | 1 | 7B | 139 BPM | ||
| A Night in Tunisia | Bud Powell | C Major | 2 | 8B | 169 BPM | ||
| Carolyn - Remastered 2000 / Rudy Van Gelder Edition | Hank Mobley | F Minor | 1 | 4A | 116 BPM | ||
| Angie | Kenny Drew | F Major | 1 | 7B | 63 BPM | ||
| Getting to Know You | Tommy Flanagan, The Wilbur Harden Quartet | C Major | 3 | 8B | 78 BPM | ||
| Sugar | Stanley Turrentine | C Minor | 5 | 5A | 124 BPM | ||
| Pale Blue | Mary Lou Williams, Buster Williams, Mickey Roker | A♭ Minor | 2 | 1A | 139 BPM | ||
| 502 Blues (Drinkin' And Drivin') - Rudy Van Gelder Edition/2000 Digital Remaster/24 Bit Mastering | Wayne Shorter | A Minor | 3 | 8A | 126 BPM | ||
| Yesterdays - Alternate Take | Mary Lou Williams | A♭ Major | 1 | 4B | 63 BPM | ||
| Twisted - Take 1 | Wardell Gray, Al Haig, Roy Haynes, Tommy Potter | F Minor | 2 | 4A | 172 BPM | ||
| Blue Riff | Stanley Turrentine | G Major | 3 | 9B | 129 BPM | ||
| You Can Depend On Me | Earl Hines | F Minor | 4 | 4A | 93 BPM | ||
| Candy | Don Byas | B♭ Major | 1 | 6B | 79 BPM | ||
| Under Milk Wood | The Stan Tracey Quartet | D♭ Major | 1 | 3B | 79 BPM | ||
| Nice Work If You Can Get It - 1990 Remaster | Bud Powell Trio | A♭ Major | 3 | 4B | 131 BPM | ||
| Virgo, Pt 1 | Mary Lou Williams | G Major | 3 | 9B | 129 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| The Bad and the Beautiful | John Lewis | A♭ Major | 1 | 4B | 68 BPM | ||
| Easy to Love | Barry Harris Trio | G Major | 3 | 9B | 129 BPM | ||
| The Cool One | Art Farmer & Benny Golson Jazztet | B Minor | 2 | 10A | 127 BPM | ||
| Tones For Joan's Bones - Rudy Van Gelder 24-Bit Mastering/2003 Remaster | Blue Mitchell, Chick Corea | D Major | 3 | 10B | 139 BPM | ||
| A Flower Is A Lovesome Thing | Billy Strayhorn | F♯ Major | 2 | 2B | 75 BPM | ||
| Isfahan | Joe Henderson | F Minor | 1 | 4A | 121 BPM | ||
| Blues After Dark | Benny Golson | F Major | 2 | 7B | 111 BPM |