Bipin Sathiya, Rekha Rathod's ' "Narshih Maheta Ni Hundi" was released on its scheduled release date, March 17, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Chelaiyanu Halaradu (Best Collection of Various Bhajan) by Bipin Sathiya, Rekha Rathod. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Narshih Maheta Ni Hundi is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Narshih Maheta Ni Hundi by Bipin Sathiya, Rekha Rathod is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| KRUSHNA GOVIND GOVIND | NITIN DEVKA-NIDHO DHOLKIA | F♯ Minor | 5 | 11A | 93 BPM | ||
| MEVAD NA SHRIJI BAVA | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| JAI RADHA MADHV | Nitin Devka | E♭ Minor | 4 | 2A | 152 BPM | ||
| Sonal Mara Ghar Keri Naar | Prabhat Barot, Bipin Sathiya, Nidhi Dholkiya, Divya Budhadev, Jayshree Bhojviya, Anu Ben Bharvad | A♭ Major | 6 | 4B | 149 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Joyu Joyu Me Virpur | Sanjay Ojha, Meena Patel | B Major | 5 | 1B | 80 BPM | ||
| Saune Jayshree Krishna | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Major | 3 | 7B | 104 BPM | ||
| Swaminarayan Bhajre | Shree Swaminarayan Mandir Kalupur, Zalak Pandya, Salim Merchant | F♯ Minor | 6 | 11A | 135 BPM | ||
| Aarti Shreenathji Ni-Mangala Ke Darshan | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Dighadiye Di Ughadiyo Shaktimaa | Mathur Kanjariya, Meena Patel | A♭ Major | 10 | 4B | 111 BPM | ||
| Valam Varnagi Rakho Pritu | Kamlesh Barot, Gagan Jethva, Prabhat Barot, Bipin Sathiya, Uma Pandya, Rekha Rathod, Nidhi Gholkiya, Jayshree Bhojviya | F♯ Minor | 6 | 11A | 80 BPM | ||
| LAD LADAVO LALANE | Nidhi Dholkia | A♭ Major | 7 | 4B | 140 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM | ||
| Kanuda Tari Morli ( Mirabai Ni Rachna ) | Bipin Sathiya | D Major | 8 | 10B | 140 BPM | ||
| Man Kari lene Vichar - Live | NARAYANSWAMI | F♯ Major | 8 | 2B | 113 BPM | ||
| Aa Re Dil Ka Koi | Niranjan Pandya | F♯ Major | 8 | 2B | 141 BPM | ||
| Khodal Khamkari | Farida Mir, Bipin Sathiya | C Major | 8 | 8B | 59 BPM | ||
| Ab Ayib Gelechhi Aha Ke Darbaar Maa | Poonam Mishra | A♭ Major | 6 | 4B | 83 BPM | ||
| Tori Kala Nav Jani Mere Data | Suresh Raval | G Major | 8 | 9B | 106 BPM | ||
| Padhore Popat | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 3 | 5B | 156 BPM | ||
| Karu Koti Koti Pranam | Sachin Limaye, Gaytri Upadhyay | F Minor | 7 | 4A | 87 BPM | ||
| Mogal Maa Ni Aarti | Bhikhudan Gadhvi | A Minor | 8 | 8A | 80 BPM | ||
| Tu Kaline Kaliyani | Niranjan Pandya, Bhavana Labadiya | G Minor | 5 | 6A | 167 BPM | ||
| Ha Re Nahi Javu Jamanaji Pani | Bipin Sathiya, Jayshree Bhojaviya, Rekha Rathod, Pravinaben Rajput, Gulabben Patel | F Minor | 7 | 4A | 117 BPM |