"5.1 Prelude - An Evening at Capitol Studios: Bach Recomposed" by Peter Gregson, Alisha Bauer, Mia Barcia-Colombo, Chris De Fazio, Mark Bassett, Joo Lee had its release date on January 29, 2021. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 5.1 Prelude - An Evening at Capitol Studios: Bach Recomposed's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 6 in An Evening at Capitol Studios: Bach Recomposed by Peter Gregson. In terms of popularity, 5.1 Prelude - An Evening at Capitol Studios: Bach Recomposed is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5.1 Prelude - An Evening at Capitol Studios: Bach Recomposed by Peter Gregson, Alisha Bauer, Mia Barcia-Colombo, Chris De Fazio, Mark Bassett, Joo Lee is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heart Failure | Eik Octobre | C Major | 0 | 8B | 94 BPM | ||
| Je Suis Vivant | Martin Phipps | B♭ Minor | 0 | 3A | 79 BPM | ||
| Grey Cloud Lullaby | Slow Meadow | D Major | 2 | 10B | 63 BPM | ||
| Two on the Breakwater | Angus MacRae | F Minor | 4 | 4A | 120 BPM | ||
| Pol | Jóhann Jóhannsson, Echo Collective | E Minor | 1 | 9A | 93 BPM | ||
| Lavender Fields (feat. Peter Gregson) | Stephan Moccio, Peter Gregson | C Minor | 3 | 5A | 93 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Trying Not to Forget | Alex Baranowski | F♯ Minor | 2 | 11A | 100 BPM | ||
| fields of forever, pt. 2 - Endel Meditation Soundscape | Chad Lawson, Peter Gregson, Esther Yoo, James Southall | E♭ Minor | 3 | 2A | 75 BPM | ||
| Balcony Hotel - From 'Miss' | Lambert | A♭ Minor | 2 | 1A | 132 BPM | ||
| We Were Landed, We Were Landing Gently We Landed (uncut) | VLMV | F♯ Minor | 2 | 11A | 108 BPM | ||
| Daydream in D for Cello | Eric Kinny | F♯ Minor | 2 | 11A | 134 BPM | ||
| Earnest Leslye | Peter Broderick | D Major | 1 | 10B | 126 BPM | ||
| Ascension | Sam Lung, Warren Zielinski | G Major | 3 | 9B | 82 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| St. Magnus of Hamnavoe - Daniel Pioro Rework | Erland Cooper, Daniel Pioro | C Major | 1 | 8B | 84 BPM | ||
| Constellations | Alex Baranowski | C Major | 2 | 8B | 172 BPM | ||
| Misneach | Sebastian Plano | D Minor | 4 | 7A | 80 BPM | ||
| Imagine This | Christopher Deighton, Peter Gregson | D Major | 1 | 10B | 130 BPM | ||
| As I Was - Slow Meadow Rework | Olivia Belli, Slow Meadow | G Major | 1 | 9B | 91 BPM | ||
| Dream Walker - Daigo Hanada Rework | John Hayes, Maxy Dutcher, Daigo Hanada | D Major | 1 | 10B | 139 BPM | ||
| instead | Lara Somogyi | A♭ Major | 1 | 4B | 138 BPM | ||
| Be the Lake | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| Cello Concerto: II. Longing | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
| People Power | Christopher Deighton, Peter Gregson | D Major | 3 | 10B | 111 BPM |