"Come Sunday" by Jim Rattigan had its release date on October 17, 2010. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Shuzzed". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Come Sunday is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Come Sunday by Jim Rattigan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Straight Song | Odyssey Quartet | C Major | 1 | 8B | 112 BPM | ||
| Rhapsody, Op. 79, No. 1 | Kurt Rosenwinkel, Jean-Paul Brodbeck, Lukas Traxel, Jorge Rossy | D Major | 3 | 10B | 111 BPM | ||
| Ornate | AethericArtisan | A Minor | 6 | 8A | 156 BPM | ||
| Festival Hall | Dave Brubeck, Houston Chamber Choir, Robert Simpson, The Paul English Quartet, Horace Alexander Young | C Major | 2 | 8B | 182 BPM | ||
| Chameleon | SwisUp | C Major | 1 | 8B | 112 BPM | ||
| When Your Lover Has Gone | Bob Reynolds | C Major | 1 | 8B | 112 BPM | ||
| Letting Go | Benjie Porecki | C Major | 1 | 8B | 112 BPM | ||
| Curtains and Brushes, Pt. X | Lazy Morning Jazz | C Minor | 1 | 5A | 85 BPM | ||
| Brass After Midnight - Jazz Version | Between Silences, Across the Brass | C Major | 1 | 8B | 112 BPM | ||
| Velvet and Silk | LiftMachine | C Major | 3 | 8B | 108 BPM | ||
| I've Found a New Baby | Franco D'Andrea, Gabriele Evangelista, Roberto Gatto | D♭ Major | 2 | 3B | 125 BPM | ||
| His Scarf Was There | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Denzil's Best | Frank Fiedler, Joe Dinkelbach | A♭ Major | 3 | 4B | 169 BPM | ||
| Pent Up House | Double Rainbow, Yosuke Onuma, Takana Miyamoto | G Major | 2 | 9B | 92 BPM | ||
| Cool Fog | Julian Moonray | D♭ Minor | 0 | 12A | 49 BPM | ||
| Blitzar | Jim Rattigan, Liam Noble, Thomas Gould | G Minor | 3 | 6A | 129 BPM | ||
| Fulfillment | Orión Natera | D Major | 5 | 10B | 135 BPM | ||
| Paz Sublime Paz | Tiago Daniel, Playback CCB | E♭ Major | 0 | 5B | 77 BPM | ||
| Midnight Pavement | renny 3l fantasma | C Minor | 4 | 5A | 202 BPM | ||
| Heartaches | Scott Hamilton | C Major | 1 | 8B | 112 BPM | ||
| Debbie's Blue Bicycle | Jim Pearce | C Minor | 5 | 5A | 182 BPM | ||
| Slow Notes on Empty Blocks | Jazz & Co. | C Major | 1 | 8B | 112 BPM | ||
| Unholy Alliance | Nuvole | F Minor | 2 | 4A | 123 BPM | ||
| Moonlit Groove Ensemble | Ryan Moret | C Major | 1 | 8B | 112 BPM | ||
| Spring Can Really Hang You up the Most - Full Version | Alain Jean-Marie, Diego Imbert | E♭ Minor | 1 | 2A | 125 BPM |