Acceptance's ' "Midnight" was released on its scheduled release date, October 2, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wild, Free by Acceptance. The song's track number on the album is #1 out of 10 tracks. Based on our statistics, Midnight's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Midnight by Acceptance has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Midnight being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Think It's Time | In Her Own Words | D♭ Minor | 9 | 12A | 124 BPM | ||
| leave in five | The Maine | G Minor | 8 | 6A | 120 BPM | ||
| Perfection | The Red Jumpsuit Apparatus | F Major | 9 | 7B | 108 BPM | ||
| 23 | Jimmy Eat World | D Major | 8 | 10B | 141 BPM | ||
| Ex Lover Syndrome | Jet Black Alley Cat | C Minor | 9 | 5A | 146 BPM | ||
| My Reply | The Ataris | G Major | 9 | 9B | 136 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Hit And Run | The Summer Set | G Major | 8 | 9B | 117 BPM | ||
| Wasted Nights | Acceptance | D Major | 10 | 10B | 172 BPM | ||
| Nights Alone | Broadside | B Major | 9 | 1B | 140 BPM | ||
| You Would Never | First and Forever | E Minor | 8 | 9A | 200 BPM | ||
| Almost There | A Story Told | D Major | 9 | 10B | 120 BPM | ||
| Blur | Hundredth | F♯ Minor | 3 | 11A | 136 BPM | ||
| Ready Fuels | Anberlin, Matty Mullins | F Major | 10 | 7B | 84 BPM | ||
| In Violet | Grayscale | D♭ Minor | 9 | 12A | 105 BPM | ||
| Ugly Cry | A Story Told | A♭ Major | 9 | 4B | 90 BPM | ||
| You Ruined This | The Audition | E♭ Major | 10 | 5B | 126 BPM | ||
| Bigger Scars Make Better Stories | Search The City | D♭ Major | 9 | 3B | 94 BPM | ||
| Be Your John Stamos | The Dad Bods Pop Punk | A♭ Major | 9 | 4B | 164 BPM | ||
| The Better Way | Brighten | A♭ Major | 7 | 4B | 130 BPM | ||
| Different Places | High Wire, Zech Pluister | E Major | 9 | 12B | 105 BPM | ||
| Island | The Starting Line | B Major | 9 | 1B | 115 BPM | ||
| Through The Landslide (with VEAUX) | Grayscale, VEAUX | G Major | 9 | 9B | 140 BPM | ||
| Gloria | The Summer Set | G Major | 8 | 9B | 117 BPM | ||
| You Know Who the Fuck We Are | Motion City Soundtrack | A♭ Major | 10 | 4B | 160 BPM |