Spike Mason's 'How Surely Gravitys Law' had a release date set for 2012. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. This song is part of widening circles by Spike Mason. The song's track number on the album is #5 out of 14 tracks. Based on our statistics, How Surely Gravitys Law's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since How Surely Gravitys Law by Spike Mason has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With How Surely Gravitys Law being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caribbean Movement | Omar Sosa | C Major | 2 | 8B | 130 BPM | ||
| Blue Maqams | Anouar Brahem, Dave Holland, Jack DeJohnette, Django Bates | C Minor | 1 | 5A | 75 BPM | ||
| a prayer for audrey | Spike Mason | E♭ Major | 0 | 5B | 73 BPM | ||
| Jade | Eric Legnini Trio | C Minor | 1 | 5A | 135 BPM | ||
| If This Isn't Jazz | Patricia Barber | F Major | 3 | 7B | 110 BPM | ||
| Too Late | Charlie Haden, Carla Bley, Don Cherry, Sharon Freeman, Mick Goodrick, Jack Jeffers, Michael Mantler, Paul Motian, Jim Pepper, Dewey Redman, Steve Slagle, Gary Valente | G Minor | 1 | 6A | 97 BPM | ||
| Chinatown | Nicholas Payton | C Major | 3 | 8B | 99 BPM | ||
| La Lune (Prelude) | Anurag Naidu | F Minor | 5 | 4A | 80 BPM | ||
| day four | Spike Mason | A♭ Major | 2 | 4B | 125 BPM | ||
| Selim | Bobby McFerrin | A♭ Major | 1 | 4B | 81 BPM | ||
| Closer | Rachael & Vilray | G Major | 4 | 9B | 121 BPM | ||
| After Rain | Morgan Coleman Quintet | C Major | 1 | 8B | 89 BPM | ||
| Confessions | Lluis Capdevila | A♭ Minor | 1 | 1A | 77 BPM | ||
| Not Like This | Till Brönner | D♭ Major | 0 | 3B | 69 BPM | ||
| wind | Spike Mason | C Major | 1 | 8B | 140 BPM | ||
| Piano Etude No. 16 | Aaron Diehl | G Minor | 1 | 6A | 113 BPM | ||
| Love of My Life (From "The Pirate") | Richard Rodgers, Yo-Yo Ma, Stéphane Grappelli | B♭ Major | 1 | 6B | 59 BPM | ||
| Somewhere Over the Rainbow | Grace Kelly | D Major | 1 | 10B | 84 BPM | ||
| Waking Dream | Niclas Knudsen Trio, Kresten Osgood, Niclas Knudsen, Anders Christensen | D Minor | 1 | 7A | 99 BPM | ||
| Dear Old Friend (for Alan Woodard) | Bill Frisell | G Minor | 0 | 6A | 167 BPM | ||
| yawn of gods | いろんなためいき | E Minor | 0 | 9A | 146 BPM | ||
| Authentic Taste | Haeun Joo | A Minor | 2 | 8A | 155 BPM | ||
| Blue Train | Soft Signal Four | A Minor | 2 | 8A | 155 BPM | ||
| Al Leil | Naïssam Jalal, Hamid Drake | C Minor | 1 | 5A | 63 BPM | ||
| Edge of False | Spike Mason | D♭ Major | 3 | 3B | 133 BPM |