"Magnificat" by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson had its release date on January 1, 1996. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Rutti: Sacred Choral Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) | Pavel Chesnokov, The Sixteen, Harry Christophers | G Major | 1 | 9B | 134 BPM | ||
| Suite Pastorale: aus dem Luzerner Hinterland | Matthias Kofmehl, Carl Rütti | F♯ Major | 0 | 2B | 128 BPM | ||
| Eternal Home | Christopher Enloe, Dan Forrest, Craig Courtney, Beckenhorst Singers | E Major | 3 | 12B | 74 BPM | ||
| Three carols: II. O little town of Bethlehem | Carl Rütti, Christopher Duarte | A♭ Major | 0 | 4B | 79 BPM | ||
| Poem: Flucht | Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore, Silja Walter | B♭ Major | 1 | 6B | 80 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| Petite Symphonie Concertante: Adagio | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| Psalm 128 | Sacred Soundlines | E♭ Major | 1 | 5B | 205 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Sacri musicali affetti, Op. 5: O Maria | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | C Major | 1 | 8B | 175 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| O nata lux de lumine | Thomas Tallis, Andrew Parrott, Taverner Choir, Taverner Consort | A♭ Minor | 1 | 1A | 78 BPM | ||
| Snow Angel (Live) | Sarah Quartel, Halifax Camerata Singers, Hilary Brown, Jeff Joudrey, Lynette Wahlstrom | C Minor | 2 | 5A | 178 BPM | ||
| Dance of Obedience: VIII. Der Fisch und das Meer | Carl Rütti, Praxedis Geneviève Hug, Praxedis Hug-Rütti | A Major | 4 | 11B | 88 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Mass of the Transfiguration: II. Gloria | Normand Gouin, David L. Ball, Joseph Walsh, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | F Major | 2 | 7B | 94 BPM | ||
| Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | ||
| Rozes gars | Raimonds Pauls, State Choir Latvija, Māris Sirmais | E♭ Minor | 1 | 2A | 88 BPM |