Rudy Ray Moore's ' "Feeling Good" was released on its scheduled release date, August 9, 2011. This song is quite longer than the average track at 5 minutes and 42 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 10 out of 10 in Black Dolemite (Soundtrack) by Rudy Ray Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Feeling Good is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Feeling Good by Rudy Ray Moore is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Undertaker's Tie | Redd Foxx | C Major | 5 | 8B | 90 BPM | ||
| Bring It Here | Wild Sugar | B Minor | 5 | 10A | 118 BPM | ||
| Dad's Vocabulary | Bernie Mac | G Minor | 5 | 6A | 70 BPM | ||
| No Strings Attached | The Mad Lads | G Major | 1 | 9B | 104 BPM | ||
| Make Me What You Want Me To Be | Fred Wesley & The J.B.'s | C Major | 8 | 8B | 127 BPM | ||
| Dolemite | Rudy Ray Moore | C Major | 5 | 8B | 63 BPM | ||
| Funk To The Folks | The Soul Searchers | B♭ Minor | 9 | 3A | 111 BPM | ||
| Itch And Scratch - Pt. 1 | Rufus Thomas, Andrew Love | C Major | 9 | 8B | 117 BPM | ||
| North Carolina | Les McCann | C Major | 8 | 8B | 85 BPM | ||
| Red White and Blue | Altin Wright | A♭ Minor | 4 | 1A | 77 BPM | ||
| Richard Pryor Dialogue | Richard Pryor | C Major | 4 | 8B | 104 BPM | ||
| You Can Stay But The Noise Must G | Johnny "Guitar" Watson | D♭ Major | 5 | 3B | 96 BPM | ||
| A Joyful Process | Funkadelic | E Minor | 8 | 9A | 96 BPM | ||
| Stir It Like Coffee | Bernie Mac | E♭ Major | 7 | 5B | 63 BPM | ||
| Running Fast | The Meters | E Minor | 7 | 9A | 104 BPM | ||
| Smoke Signals | Brides Of Funkenstein | B Minor | 8 | 10A | 200 BPM | ||
| Fragrance of the Rose | Rhythmic Muse | C Major | 8 | 8B | 109 BPM | ||
| Get Up And Get Down | The Dramatics | D♭ Minor | 7 | 12A | 100 BPM | ||
| BlowFly's Rap | Blowfly | D♭ Minor | 8 | 12A | 107 BPM | ||
| Big Daddy vs. Dolemite (feat. Rudy Ray Moore) | Big Daddy Kane | B Major | 3 | 1B | 79 BPM | ||
| I Can Understand It | The New Birth | A♭ Minor | 8 | 1A | 125 BPM | ||
| Brother's Gonna Work It Out - The Mack/Soundtrack Version | Willie Hutch | F♯ Minor | 6 | 11A | 111 BPM | ||
| Much Thrust | Bernie Worrell | A Major | 9 | 11B | 101 BPM | ||
| Why Can't People Be Colors Too | The Whatnauts | F Minor | 6 | 4A | 97 BPM | ||
| Love Vibes | Bootsy Collins | F Major | 3 | 7B | 77 BPM |