Cody Hubach's ' "Ooh Love" was released on its scheduled release date, 1998. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Blaze Foley's "In Tribute And Loving Memory...Volume #1" album is number 3 out of 17. On top of that, United States appears to be the country where this track was created. The popularity of Ooh Love is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ooh Love by Cody Hubach to be Presto (very, very fast) because the track has a tempo of 191 BPM, a half-time of 96BPM, and a double-time of 382 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long Gone | Cody Hubach | D Major | 4 | 10B | 124 BPM | ||
| Known You Forever | Signor | C Major | 4 | 8B | 134 BPM | ||
| Stay On My Shore | Matt Sweeney, Bonnie Prince Billy | E Major | 3 | 12B | 147 BPM | ||
| anything we could have done | Stephen Moore | D Major | 3 | 10B | 129 BPM | ||
| The Devil Took Me Away | Jerel Armstrong | E Major | 1 | 12B | 145 BPM | ||
| Pipe of Doom | The Sons of Rainier | C Major | 3 | 8B | 127 BPM | ||
| Sinking Stone | Daniel Meade | A Major | 10 | 11B | 93 BPM | ||
| Honeybee | Jasper Smythe | E♭ Major | 2 | 5B | 65 BPM | ||
| Spooking the Horses | Mike McCullough | D Major | 2 | 10B | 117 BPM | ||
| If It Could Be Me | The Alexander Meadows | D Major | 3 | 10B | 82 BPM | ||
| San Francisco | Ted Hawkins | B♭ Major | 3 | 6B | 106 BPM | ||
| Maritza or Somebody | Chip Taylor | F Major | 1 | 7B | 168 BPM | ||
| Truck Stop DuJour | Lance Rogers | F Major | 1 | 7B | 168 BPM | ||
| Nightlife of a Southern Apologist | Austin Leonard Jones | D Major | 3 | 10B | 117 BPM | ||
| I'm the Loneliest Man I Ever Met | Kinky Friedman | D Major | 4 | 10B | 148 BPM | ||
| Alone Again | Dayborn | D Major | 8 | 10B | 143 BPM | ||
| The Old Homestead | John Hurlbut, Jorma Kaukonen | D Major | 4 | 10B | 98 BPM | ||
| Sunrise in the morning | Malcolm Washington | E Minor | 3 | 9A | 76 BPM | ||
| Streets of Minneapolis | Greg Bikowski | G Major | 3 | 9B | 120 BPM | ||
| 'Til I Get It Right | John Doe, The Sadies | F Major | 4 | 7B | 175 BPM | ||
| You Should Have Wrote a Book | Dan Reeder | A♭ Major | 2 | 4B | 108 BPM | ||
| Tides of Rhyme | Stovehandle Dan Jackson | D Major | 6 | 10B | 136 BPM | ||
| Old Dogs and Children and Watermelon Wine | Hayseed Dixie | F Major | 1 | 7B | 168 BPM | ||
| Open Book to You | Calvary Power and Light | A Minor | 4 | 8A | 189 BPM | ||
| The Lord Awaits | Charlie White | E Major | 3 | 12B | 80 BPM |