"Images, Set 1, L. 110: Reflets dans L'eau" by Claude Debussy, Martin Jones had its release date on 1994. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 4 out of 20 in Debussy: Clair De Lune and Other Piano Favourites by Claude Debussy, Martin Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Images, Set 1, L. 110: Reflets dans L'eau is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Images, Set 1, L. 110: Reflets dans L'eau by Claude Debussy, Martin Jones is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Masquerade Suite: I. Waltz | Aram Khachaturian, Karine Poghosyan | E Minor | 1 | 9A | 92 BPM | ||
| 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
| Berceuse, Op. 57 | Frédéric Chopin, Jon Nakamatsu | D♭ Major | 0 | 3B | 65 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
| Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
| Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
| Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | ||
| Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | E Major | 0 | 12B | 59 BPM | ||
| Two Pieces, Op. 47: 1. Lotus Land | Cyril Scott, Dennis Hennig | E♭ Minor | 0 | 2A | 77 BPM | ||
| Préludes Book 2, L. 123: II. Canope | Claude Debussy, Martin Jones | C Major | 0 | 8B | 74 BPM | ||
| The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | C Major | 2 | 8B | 99 BPM | ||
| Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
| Gnossienne No. 1 | Alena Cherny, Erik Satie | F Minor | 0 | 4A | 72 BPM | ||
| Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
| 6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Deux Arabesques, L. 66, CD 74: I. Première Arabesque | Claude Debussy, Jean-Efflam Bavouzet | E Major | 0 | 12B | 69 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 128 BPM | ||
| Jeux d'eau | Maurice Ravel, François-Joël Thiollier | D♭ Minor | 1 | 12A | 70 BPM | ||
| Liebesträume, S. 541: No. 1, Hohe Liebe | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 75 BPM | ||
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
| Piano Sonata No. 7 in B-Flat Major, Op. 83: III. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM |