Jason Palmer's 'Memory Lane' had a release date set for November 10, 2012. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Take A Little Trip". In this album, this song's track order is #6. Based on our statistics, Memory Lane's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Memory Lane by Jason Palmer having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Metaphysics | Tim Richards Trio | G Minor | 3 | 6A | 139 BPM | ||
| You and the Lake and the Moon - Nuccia Live | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F♯ Major | 2 | 2B | 91 BPM | ||
| アイム・ア・フール・トゥ・ウォント・ユー (ライヴ) | Sadao Watanabe | G Minor | 1 | 6A | 116 BPM | ||
| To Ron | Julien Tassin, Dré Pallemaerts, Jason Palmer, Nicolas Thys | E Major | 5 | 12B | 106 BPM | ||
| Now's the Time | Holly Channell, Jason Palmer, Mike Kocour, Ben Hedquist | F♯ Major | 6 | 2B | 144 BPM | ||
| A Night in New York | Caelan Cardello | D♭ Major | 2 | 3B | 121 BPM | ||
| Glorious | Orión Natera | A♭ Major | 3 | 4B | 100 BPM | ||
| Triste | Eric Alexander | A♭ Major | 5 | 4B | 92 BPM | ||
| Beautiful Things | Yeny Kim | D♭ Major | 2 | 3B | 134 BPM | ||
| Allow Me to Be | Jason Palmer, Mike Moreno, Edward Pérez, Lee Fish | E♭ Major | 1 | 5B | 127 BPM | ||
| Living Still | Jason Palmer | D Major | 1 | 10B | 81 BPM | ||
| Body and Soul | Jason Palmer | D♭ Minor | 4 | 12A | 125 BPM | ||
| One For J Mac | Ravi Coltrane, Leo Genovese, Matt Brewer, Warren Wolf, Greg Osby, Jason Palmer | F Major | 2 | 7B | 109 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| The Longest Night | Suzan Veneman, Tijs Klaassen, Wouter Kühne | A♭ Minor | 2 | 1A | 122 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | G Minor | 3 | 6A | 139 BPM | ||
| The Priest's Tale (Mode II) | Jason Palmer, Cédric Hanriot, Clarence Penn, Donny McCaslin, Michael Janisch | D♭ Major | 2 | 3B | 124 BPM | ||
| Wives And Lovers | David Hazeltine | C Minor | 4 | 5A | 114 BPM | ||
| Band-Aid | Henning Ullén, Mats Sandahl, Nils Agnas | B♭ Minor | 4 | 3A | 104 BPM | ||
| Polaroid Memory | Sebastian Weiss, Bob Bowen III, Dan Weiss | D♭ Major | 4 | 3B | 147 BPM | ||
| Potential to Be | Kevin Harris Project, Jason Palmer, Caroline Davis, Max Ridley, Tyson D. Jackson | E♭ Major | 1 | 5B | 133 BPM | ||
| ImRos | Gert-Jan Dreessen, Jean-Paul Estiévenart, Bram de Looze, Cyrille Obermüller | F Minor | 2 | 4A | 114 BPM | ||
| Jonathan Jo | Patrick Cornelius, Gerald Clayton, Jason Palmer, John Ellis, Kendrick Scott, Miles Okazaki, Nick Vayenas, Peter Slavov | G Minor | 3 | 6A | 139 BPM | ||
| Lament & Consolation | Suzan Veneman, Vincent Veneman | A♭ Minor | 2 | 1A | 122 BPM | ||
| Vespers | Patrick Cornelius, Gerald Clayton, Jason Palmer, John Ellis, Kendrick Scott, Miles Okazaki, Nick Vayenas, Peter Slavov | G Minor | 3 | 6A | 139 BPM |