Rashmi Adish's ' "Om Namo Anjaneyaya" was released on its scheduled release date, September 20, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Rashmi Adish Chantings, Vol. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Om Namo Anjaneyaya's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Om Namo Anjaneyaya by Rashmi Adish having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trisuparna Manthram | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | G Major | 3 | 9B | 132 BPM | ||
| Bhagvad Gita Adhyay, Pt. 15 | Bhaktishri | G Major | 2 | 9B | 141 BPM | ||
| Sri Mahalakshmi Kamalakshi | Rashmi Adish | C Major | 5 | 8B | 126 BPM | ||
| Mantra Pushpam | Sri Hari Atchutha Rama Sastry | B♭ Major | 4 | 6B | 105 BPM | ||
| Rina Vimochana Nrisimha Stotram | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Ka Ga Kevilvana | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 93 BPM | ||
| Surya Prarthana | Sri Hari Achyutha Rama Sastry | B Major | 3 | 1B | 173 BPM | ||
| Sri Banashankari Ashtottara | Bangalore Sisters, Narsihma Nayak, Vijay Aras, Purushotham, Anuradha Bhat | E♭ Major | 8 | 5B | 128 BPM | ||
| Nirguname Nee Guname | Sri Ganapathy Sachchidananda Swamiji | C Major | 6 | 8B | 140 BPM | ||
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM | ||
| Sri Vinayaka Ashtotara Namavali | M.Ramani Sastrigal | F♯ Minor | 1 | 11A | 76 BPM | ||
| Sri Venkateswara Saranagathi Stothram | Nitya Santoshini | A Major | 1 | 11B | 133 BPM | ||
| Sri Sivastottara Catanamastotram | J Bhakthavatsalam | F♯ Major | 5 | 2B | 128 BPM | ||
| Vatta | Grihsam | F♯ Major | 6 | 2B | 102 BPM | ||
| Sri Pada Vallabha Banda Nodu | Sadguru SriSatUpasi, Devotees | D Major | 6 | 10B | 112 BPM | ||
| Kiti Vinavu Tula Rama Dayaghana by Mahesh Kale | Mahesh Kale | D Major | 5 | 10B | 100 BPM | ||
| Stothra Kadambam | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 9 | 10B | 160 BPM | ||
| Sri Varaha Stothram | J. Bhakatavatsalam | D Major | 6 | 10B | 85 BPM | ||
| Sri Vishnu Kavacha Stotram Telugu | Rashmi Adish | D Minor | 6 | 7A | 144 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Sri Kanakadurga Mangalam | Mambalam Sisters | A♭ Major | 4 | 4B | 147 BPM | ||
| Vittala Vittala Paanduranga | Sivasri Skandaprasad | A♭ Major | 9 | 4B | 122 BPM | ||
| Sundara Sundara Shiva | Sri Ganapathy Sachchidananda Swamiji | G Major | 6 | 9B | 97 BPM | ||
| Dola | Sri Ganapathy Sachchidananda Swamiji | F Major | 1 | 7B | 105 BPM | ||
| Sri Lalitha Pancharatna Stotram | Rashmi Adish | A♭ Major | 3 | 4B | 138 BPM |