Ellis Paul's 'Nothing Left to Take' had a release date set for January 12, 2010. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Day After Everything Changed". In this album, this song's track order is #15. Based on our statistics, Nothing Left to Take's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nothing Left to Take by Ellis Paul having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That Ain't Right | Pete Droge | F♯ Major | 9 | 2B | 123 BPM | ||
| All The Right Reasons | The Jayhawks | F♯ Major | 4 | 2B | 144 BPM | ||
| Love Calling | Darden Smith | D♭ Minor | 4 | 12A | 128 BPM | ||
| Beautiful Now | James Maddock | E Major | 8 | 12B | 130 BPM | ||
| When The Sun Goes Down | Benjamin Gibbard | E Major | 5 | 12B | 117 BPM | ||
| So I Am Over You | Pete Droge | D♭ Minor | 7 | 12A | 110 BPM | ||
| One Moment More | Mindy Smith | A♭ Major | 1 | 4B | 116 BPM | ||
| Same Old River | Jeff Black | B♭ Major | 3 | 6B | 101 BPM | ||
| Two of Us | Aimee Mann | F♯ Major | 5 | 2B | 112 BPM | ||
| The Guy That Says Goodbye To You Is Out Of His Mind | Griffin House | D Major | 4 | 10B | 93 BPM | ||
| Kings Highway | Adam Baldwin | G Major | 4 | 9B | 120 BPM | ||
| From Where I'm Standing | Schuyler Fisk | D Major | 8 | 10B | 132 BPM | ||
| All My Heroes Were Junkies | Ellis Paul | E Major | 5 | 12B | 130 BPM | ||
| Change Your Mind - Acoustic | Sister Hazel | B Major | 7 | 1B | 91 BPM | ||
| The Longer I Run | Peter Bradley Adams | E♭ Major | 5 | 5B | 152 BPM | ||
| Same In Any Language | I Nine | G Major | 7 | 9B | 172 BPM | ||
| Shirt | Peter Mulvey | B Major | 7 | 1B | 91 BPM | ||
| Penny On The Train Track | Ben Kweller | D Major | 2 | 10B | 90 BPM | ||
| If You're Here When I Get Back | John Eddie | D Major | 7 | 10B | 98 BPM | ||
| Good Things | Bodeans | E Major | 4 | 12B | 119 BPM | ||
| Lucky Now (Live in Malmo) | Ryan Adams | E Major | 2 | 12B | 117 BPM | ||
| Constant As The Night | Lowen & Navarro | E Major | 6 | 12B | 127 BPM | ||
| The Dive Bar In My Heart | The Wallflowers | E Major | 9 | 12B | 124 BPM | ||
| Everybody Wants You | Josh Kelley | G Major | 7 | 9B | 96 BPM | ||
| Love you the Best I can | bnwave | F♯ Major | 4 | 2B | 105 BPM |