Emptyself's 'It Could Be So Beautiful' had a release date set for June 3, 2005. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. It Could Be So Beautiful's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Emptyself by Emptyself. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, It Could Be So Beautiful is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of It Could Be So Beautiful by Emptyself is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Was Never Here | Gazpacho | C Minor | 4 | 5A | 80 BPM | ||
| Ghost Town | The Jelly Jam | G Minor | 6 | 6A | 104 BPM | ||
| Agostina | Puscifer | G Minor | 3 | 6A | 125 BPM | ||
| Apparatus | Lucid Planet | B♭ Minor | 6 | 3A | 72 BPM | ||
| The Way | The Butterfly Effect | E Minor | 7 | 9A | 101 BPM | ||
| S.O.S. | Chroma Key | G Major | 6 | 9B | 120 BPM | ||
| When You Drive | Chroma Key | F Minor | 4 | 4A | 126 BPM | ||
| Black from the Ink | Port Noir | B Minor | 7 | 10A | 110 BPM | ||
| The Almightiness Contradiction | The Ocean | D Minor | 5 | 7A | 200 BPM | ||
| Dove Coloured Sky | Neverending White Lights, Jimmy Gnecco | C Minor | 5 | 5A | 117 BPM | ||
| Sleep Shake | Thomas Giles | D Minor | 6 | 7A | 110 BPM | ||
| Ways We Haunt | Stellar Circuits | E Minor | 8 | 9A | 90 BPM | ||
| Origin - Acoustic | TesseracT | D Minor | 7 | 7A | 120 BPM | ||
| Not today | GRËN | C Major | 7 | 8B | 135 BPM | ||
| The Stone | ASHES dIVIDE | F♯ Major | 9 | 2B | 95 BPM | ||
| Too Late | ASHES dIVIDE | A Major | 9 | 11B | 144 BPM | ||
| Slipping | O'Brother, Jesse Coppenbarger | B Minor | 4 | 10A | 75 BPM | ||
| Seven | Sinch | A Major | 8 | 11B | 125 BPM | ||
| Quiet Hours | boil | G Major | 5 | 9B | 114 BPM | ||
| Zebraskin | Dredg | B Minor | 7 | 10A | 87 BPM | ||
| Never Know Quite Why | Without Waves | F♯ Major | 6 | 2B | 130 BPM | ||
| The Mothership (Pt. 1) | Vulkan | E Major | 9 | 12B | 104 BPM | ||
| Choke | Living Syndication | B Major | 7 | 1B | 140 BPM | ||
| Faceless | boil | B♭ Major | 7 | 6B | 102 BPM | ||
| Ascending Horizon | Socionic | A Minor | 9 | 8A | 134 BPM |