Breakdowns At Tiffany's's 'John Coffee' had a release date set for June 1, 2014. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 10 in Constants by Breakdowns At Tiffany's. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, John Coffee's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of John Coffee by Breakdowns At Tiffany's is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Happy Endings Only Happen in Movies | Spies Like Us | A♭ Major | 10 | 4B | 95 BPM | ||
| Dead Inside | One Year Later | A Minor | 10 | 8A | 155 BPM | ||
| Now They See Me Now You Don't | Above This | A♭ Major | 9 | 4B | 145 BPM | ||
| Wither. | Advocates | B Minor | 10 | 10A | 125 BPM | ||
| Walking On Glass | Feed Her to the Sharks | F Major | 9 | 7B | 150 BPM | ||
| Pacific Highway | Silent Screams | C Minor | 9 | 5A | 140 BPM | ||
| Temporary Escape | To The Wind | B Major | 10 | 1B | 150 BPM | ||
| Open Arms | Horizons | D♭ Minor | 10 | 12A | 150 BPM | ||
| I Should Have Never Left | No Home | F Minor | 10 | 4A | 100 BPM | ||
| Crooked Walls | City State | A♭ Major | 10 | 4B | 115 BPM | ||
| Break of Dawn | Forever In Combat | B♭ Minor | 9 | 3A | 103 BPM | ||
| Inner Demons | Texas In July | D Minor | 10 | 7A | 125 BPM | ||
| Weakness/Progression | Surroundings | A♭ Minor | 10 | 1A | 175 BPM | ||
| The Door in the Wall | Curses | A♭ Minor | 9 | 1A | 175 BPM | ||
| The Highest Highs | Empires Fade | C Minor | 10 | 5A | 139 BPM | ||
| Soul of the World | Prepared Like A Bride | E Minor | 10 | 9A | 127 BPM | ||
| Stargazer | Napoleon | F♯ Minor | 10 | 11A | 115 BPM | ||
| Boneheads | As A Conceit | F♯ Minor | 9 | 11A | 122 BPM | ||
| Wear The Crown | Aim For The Sunrise | F♯ Minor | 9 | 11A | 150 BPM | ||
| Shift | Nova Prospekt | C Minor | 8 | 5A | 112 BPM | ||
| Hegemony | Alaska | C Major | 9 | 8B | 160 BPM | ||
| Let Me In | Forget Tomorrow | A♭ Major | 10 | 4B | 112 BPM | ||
| American Terrorist | Deception Of A Ghost | F Major | 10 | 7B | 151 BPM | ||
| Vigilant | Awake the Dreamer, Robert Ljung | E♭ Minor | 10 | 2A | 128 BPM | ||
| Hallucination | Vesta Collide | B Minor | 10 | 10A | 147 BPM |