Graeme Revell's ' "Lightning Strikes" was released on its scheduled release date, May 3, 1996. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Lightning Strikes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Craft (Original Motion Picture Score)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Lightning Strikes is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lightning Strikes by Graeme Revell having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Care to Dance? | Jon Ekstrand | A♭ Minor | 1 | 1A | 49 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Submission | Tyler Bates | G Major | 2 | 9B | 106 BPM | ||
| Parallel Dimension | Joyce Allen, Test Drive | B Major | 1 | 1B | 70 BPM | ||
| Night Fears | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Love Eternal | Wojciech Kilar | B Minor | 0 | 10A | 87 BPM | ||
| Meet the Monster | Paul Haslinger | B♭ Minor | 3 | 3A | 182 BPM | ||
| Rod Hanged / Night Stalking | Charles Bernstein | F Minor | 3 | 4A | 120 BPM | ||
| Hunting In Packs | Trevor Rabin | G Minor | 1 | 6A | 89 BPM | ||
| Wolf Creek: Main Title | Francois Tetaz | B♭ Minor | 3 | 3A | 81 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Weyland | Marc Streitenfeld | C Major | 0 | 8B | 64 BPM | ||
| A Cabin On The Lake | Jed Kurzel | D Major | 0 | 10B | 65 BPM | ||
| The End... or Maybe Not | Harald Kloser | D♭ Major | 3 | 3B | 81 BPM | ||
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 1 | 10A | 80 BPM | ||
| Seeing Through Ghosts (Theme from The Awakening) | Daniel Pemberton | B♭ Minor | 9 | 3A | 128 BPM | ||
| The Thumbprint Killer | Ramin Djawadi | F♯ Minor | 3 | 11A | 117 BPM | ||
| Tomorrow Again | Stephor Shpandau | E Minor | 2 | 9A | 95 BPM | ||
| Mitus Lumen | Mark Snow | A Minor | 4 | 8A | 180 BPM | ||
| The Smell of Death | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Captive Child | Graeme Revell | D♭ Major | 1 | 3B | 88 BPM | ||
| De Cara Al Futuro | Bellum Sanctus | D♭ Minor | 1 | 12A | 91 BPM | ||
| Put You Away | Jeff Beal | F Major | 3 | 7B | 91 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| Always Forever | Naomi Chinenye, KOOKA | E Major | 2 | 12B | 62 BPM |