Richard Lloyd's ' "Fire Engine" was released on its scheduled release date, January 1, 1987. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Real Time". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fire Engine's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Fire Engine by Richard Lloyd having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| O nuit brillante | Traditional, Zurich Chamber Singers, Christian Erny | B Minor | 1 | 10A | 126 BPM | ||
| Jackie | Marc Jonson, Drew Zingg, Wayne Kramer, Richard Lloyd, Mike Masaros | B Major | 9 | 1B | 145 BPM | ||
| Thy Hand, O God, Has Guided | The Choir of Trinity College, Melbourne, Australian Chamber Brass Ensemble, John O'Donnell, Michael Leighton Jones | D Major | 3 | 10B | 77 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Be All Merry | Eoghan Desmond, Katherine Hunka, The Choral Scholars of University College Dublin, Irish Chamber Orchestra, Desmond Earley | A Minor | 2 | 8A | 95 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Resignation - SATB | Florence Beatrice Price, London Voices | D Major | 1 | 10B | 73 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Bizet : L'Arlésienne Suite No.2 : Agnus Dei [Intermezzo] | Georges Bizet, Edward Higginbottom, Tim Oldham | D♭ Major | 1 | 3B | 84 BPM | ||
| Wandering Soul (arr. for Choir from Hungarian Dance No.1, WoO 1 by David Reichelt) | Johannes Brahms, World Choir for Peace, David Reichelt, Nicol Matt | A Minor | 3 | 8A | 84 BPM | ||
| Magnificat (Hereford Service) | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral, Richard Lloyd | B♭ Major | 1 | 6B | 137 BPM | ||
| Lord of the Dance (After J. Brackett's Simple Gifts) | Sydney Carter, Salisbury Cathedral Choir, John Challenger, David Halls | G Major | 1 | 9B | 61 BPM | ||
| A Welsh Lullaby | The Choir of All Saints' Episcopal Church | G Major | 1 | 9B | 79 BPM | ||
| Psalm 13 "How Long Wilt Thou Forget Me O Lord" | Henry Thomas Smart, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | E♭ Major | 0 | 5B | 68 BPM | ||
| Woman's Ways | Richard Lloyd | D Major | 7 | 10B | 124 BPM | ||
| Les Chansons Des Roses: IV. La Rose Complète | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 135 BPM | ||
| Praise My Soul the King of Heaven | John Goss, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins | G Minor | 1 | 6A | 66 BPM |