Southside Movement's ' "Funk Talk - Originial Full-Length Album Version" was released on its scheduled release date, January 1, 1999. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Funk Talk - Originial Full-Length Album Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Funk Essentials 12" Collection And More". In this album, this song's track order is #5. In terms of popularity, Funk Talk - Originial Full-Length Album Version is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Funk Talk - Originial Full-Length Album Version by Southside Movement having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gossip (Single Version) | Cyril Neville | B Minor | 7 | 10A | 89 BPM | ||
| Mr. Brown | African Music Machine | D Major | 7 | 10B | 189 BPM | ||
| I've Been Watching You | Southside Movement | B Minor | 6 | 10A | 89 BPM | ||
| Soul, Soul, Soul | The Wild Magnolias | F Minor | 9 | 4A | 111 BPM | ||
| Overtime Man | Don Covay | D Major | 8 | 10B | 111 BPM | ||
| Nothing (Can Make Me Love You More Than I Do) | The Nite-Liters | D♭ Major | 7 | 3B | 120 BPM | ||
| Ain't It Hell Up In Harlem | Edwin Starr | B♭ Minor | 8 | 3A | 120 BPM | ||
| Tom the Peeper | Act I | D♭ Major | 7 | 3B | 112 BPM | ||
| Let's Take a Break | Milton Wright | D Major | 4 | 10B | 98 BPM | ||
| Funky Way | Rufus Thomas | A♭ Major | 5 | 4B | 93 BPM | ||
| Somebody's on Your Case | Ann Peebles | G Major | 6 | 9B | 92 BPM | ||
| Get Me Back on Time, Engine Number 9 (Pt. 1 & Pt. 2) | Wilson Pickett | B♭ Minor | 9 | 3A | 97 BPM | ||
| Super Good | Myra Barnes | A Major | 6 | 11B | 96 BPM | ||
| Been Had | Sapo | A Major | 8 | 11B | 129 BPM | ||
| Never Let Em Say | Ballin' Jack | B♭ Minor | 8 | 3A | 107 BPM | ||
| I've Been Watching You | Southside Movement | B Minor | 7 | 10A | 95 BPM | ||
| Lusty Lady | Johnny Bristol | D♭ Major | 7 | 3B | 88 BPM | ||
| Everything Good to You (Ain't Always Good for You) | B.T. Express | B Minor | 7 | 10A | 117 BPM | ||
| You've Got the Papers (I've Got the Man) | Ann Peebles | F Major | 7 | 7B | 115 BPM | ||
| People | Graham Central Station | D Minor | 5 | 7A | 186 BPM | ||
| Time Machine | Chocolate Milk | A Minor | 5 | 8A | 175 BPM | ||
| Backed Up Against The Wall | The 3 Pieces | B Major | 5 | 1B | 99 BPM | ||
| I Stayed Away Too Long | Manuel B. Holcolm | D Major | 9 | 10B | 93 BPM | ||
| Giving Up | Zulema | F Major | 7 | 7B | 113 BPM | ||
| Fat City Strut | Mandrill | G Minor | 9 | 6A | 192 BPM |