Whit Dickey, Rob Brown, Chris Lightcap's 'Volleys' had a release date set for May 3, 1994. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Transonic". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Volleys's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Volleys by Whit Dickey, Rob Brown, Chris Lightcap having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In A Brown Study | Johnathan Blake | D♭ Major | 3 | 3B | 103 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Suite for DSW | Whit Dickey, Tao Quartets, Matthew Shipp, Rob Brown, William Parker | F Minor | 5 | 4A | 113 BPM | ||
| Dream of Caravans | Whit Dickey | F♯ Major | 3 | 2B | 117 BPM | ||
| Twoface | Cortex, Hedvig Mollestad | A Minor | 5 | 8A | 142 BPM | ||
| Becoming | Phi-Psonics | D Minor | 2 | 7A | 96 BPM | ||
| Love and Strife | Reinier Baas, Ben van Gelder, Marta Warelis, Han Bennink | E Major | 6 | 12B | 120 BPM | ||
| Eble (de Ventadour) | Sylvain Rifflet | D Major | 5 | 10B | 86 BPM | ||
| My First Rodeo | Dave Douglas | D♭ Major | 3 | 3B | 98 BPM | ||
| Tomikron | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Phase I | Manu Codjia, Giuseppe Millaci, Lieven Venken | A Minor | 2 | 8A | 174 BPM | ||
| scholes street studio V | Stephen Gauci, Michael Bisio, Whit Dickey | E Minor | 3 | 9A | 118 BPM | ||
| For All You Are | Dave Holland Quintet | B♭ Major | 1 | 6B | 116 BPM | ||
| GNG | Matthew Shipp, Joe Morris, Whit Dickey | A Major | 5 | 11B | 178 BPM | ||
| Paranoia Purple | Armel Dupas Trio | D♭ Major | 3 | 3B | 94 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| A Choo | Mette Henriette | A Major | 0 | 11B | 88 BPM | ||
| Opal | Jakob Bro, Thomas Morgan, Joey Baron | E Major | 0 | 12B | 81 BPM | ||
| Seductive Fantasy - Live | Marshall Allen's Ghost Horizons, Chad Taylor, Dave Davis, Luke Stewart | C Major | 6 | 8B | 81 BPM | ||
| Wayne Wave | Simon Spang-Hanssen, Erik Kimestad, Artur Tuznik, Fredrik Lundin, Anders Mogensen, Mikkel Aagaard Nielsen, Yasser Pino | D♭ Minor | 5 | 12A | 131 BPM | ||
| Up There | Amanda Whiting | G Minor | 4 | 6A | 124 BPM | ||
| First Step | Phi-Psonics | E Minor | 8 | 9A | 81 BPM | ||
| MAIMOUN | Hermon Mehari, Tony Tixier | C Major | 9 | 8B | 120 BPM | ||
| Valsa ourico | Jean-Marie Machado, Claude Tchamitchian, Zé Luis Nascimento | D♭ Major | 3 | 3B | 98 BPM | ||
| Stundens Hetta | Koma Saxo, Petter Eldh | A♭ Major | 3 | 4B | 66 BPM |